No. 87-88 (2014): Film and Theatre

The production of the issue was co-financed by the Polish Film Institute.

Editorial

Teresa Rutkowska

published: 2014-12-31

PDF (Język polski)

Paradoxes of the Relations

Film and Theatre

Susan Sontag

6-23

published: 2014-12-31

Cinema and Theatre – Cultural Collision of the Media (1895-1914)

Marek Hendrykowski

24-31

published: 2014-12-31

PDF (Język polski)

Parallel, Convergent, and Opposing Stories: Drama in Film as an Alternative and Complement to the Story Line

Piotr Dobrowolski

32-43

published: 2014-12-31

PDF (Język polski)

Liveness in the Cinema? On the Problematical Reception of “Salò, or the 120 Days of Sodom” by Pier Paolo Pasolini

Ewa Bal

44-50

published: 2014-12-31

PDF (Język polski)

Theatrical Genealogies

Film Born Out of the Spirit of the Theatre, or the New Wave and Pessimism: Films by Jacques Rivette

Tomasz Kłys

52-69

published: 2014-12-31

PDF (Język polski)

Alain Resnais’ Theatrical Cinema

Tadeusz Lubelski

70-82

published: 2014-12-31

PDF (Język polski)

Between Suppression and Excess – Tennessee Williams in American Cinema of the 1950s

Patrycja Włodek

83-98

published: 2014-12-31

PDF (Język polski)

Theatrical Dimension of Roman Polański’s Films

Bogusław Zmudziński

99-112

published: 2014-12-31

PDF (Język polski)

Film in Theatre

What Does the Film Want on the Stage? Three Case Studies

Katarzyna Fazan

114-126

published: 2014-12-31

PDF (Język polski)

Celluloid Ring of the Nibelung: Wagner “Cinematified”, or on “Cinematographic” Stagings of Wagner’s Musical Dramas

Piotr Kletowski

127-138

published: 2014-12-31

PDF (Język polski)

Filmed Theatre

The Passion Play of the Fassnacht Brothers and the Film Echoes of the “Oberammergau-Like” Spectacle: Some Remarks on Borrowing Using the Example of Dimitri Buchowetzki’s “Der Galiläer”

Grzegorz Nadgrodkiewicz

140-150

published: 2014-12-31

PDF (Język polski)

“Where a ‘Fragment’ Is More Suited to Be Filmed Than the Whole Play”: “Wozzeck” by Georg C. Klaren

Anna R. Burzyńska

151-159

published: 2014-12-31

PDF (Język polski)

“Ran”, or Shakespeare in Japanese

Krzysztof Loska

160-170

published: 2014-12-31

PDF (Język polski)

Japanese Bunraku Theatre in Takeshi Kitano’s Film “Dolls”

Agnieszka Kamrowska

171-178

published: 2014-12-31

PDF (Język polski)

“Il teatrino di carta” (paper theatre) in Luchino Visconti’s “The Leopard”

Zbigniew Mich

179-196

published: 2014-12-31

PDF (Język polski)

Live Theatre, Dead Eye, the Dead in the Cellar and the Shoes of a Deadman: On Tadeusz Kantor’s “Dead Class” in Andrzej Wajda’s Film Recording

Dorota Sosnowska

197-204

published: 2014-12-31

PDF (Język polski)

Space in Theatre, Space in Film

The Picture Should Extend Beyond the Frame: The Structure of “Mis en Abyme” in the Play “Cyrano de Bergerac” by Edmond Rostand and the Spectacle by Denis Podalydès

Łucja Demby

206-216

published: 2014-12-31

PDF (Język polski)

A Kiss of Death: Off Screen Space in the Films of Michael Haneke, Alexander Sokurov, and Andrzej Wajda

Janina Falkowska

217-230

published: 2014-12-31

PDF (Język polski)

Audiovisuality – Between Theatre and Film

Is It Orpheus Singing or Is It the Sound of the Trees in the Wind?

Andrzej Pitrus

232-239

published: 2014-12-31

PDF (Język polski)

New Media as an Area of Dialogue Between Theatre and Film: “There is Still Time.... Brother” by The Wooster Group and “Eavesdrop” by David Pledger and Jeffrey Shaw on the AVIE (Advanced Visualisation and Interaction Environment) Platform

Ryszard W. Kluszczyński

240-254

published: 2014-12-31

PDF (Język polski)

From Theatregraph to TV Series: On Czechoslovak Interactive Audiovisual Projects

Piotr Marecki

255-261

published: 2014-12-31

PDF (Język polski)

In View of the Impossible – Negative Aesthetics and the Effect of Strangeness in Audiovisual Works of Béla Tarr and Krystian Lupa

Joanna Sarbiewska

262-270

published: 2014-12-31

PDF (Język polski)

From the history of cinema

Anna Korwin: Between the Stage and the Screen

Artur Patek

271-285

published: 2014-12-31

PDF (Język polski)

The Eye and the Ear

Watchmakers, Automata and the Cinema

Marcin Giżycki

286-292

published: 2014-12-31

PDF (Język polski)

Books on Film

Known and Unknown Forms

Andrzej Pitrus

293-296

published: 2014-12-31

PDF (Język polski)

Over One Hundred Years of Neighbourhood

Piotr Pławuszewski

297-302

published: 2014-12-31

PDF (Język polski)

Pasolini – Utopias and Obsessions

Teresa Rutkowska

303-306

published: 2014-12-31

PDF (Język polski)

In Search of Meaning

Alicja Helman

307-313

published: 2014-12-31

PDF (Język polski)

Table of Contents in French

Teresa Rutkowska

324

published: 2014-12-31

PDF (Język polski)

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The project Internationalization and improvement of the publishing quality of the journal “Kwartalnik Filmowy” is financially supported by the Ministry of Education and Science of the Republic of Poland under the “Development of scientific journals” program. Agreement no. RCN/SN/0685/2021/1. Project duration: 15.12.2022-14.12.2024. The total funding value is PLN 50 000; the total value of the project is PLN 50 000. The aim of the project is to raise the level of publishing and editing practices and to increase the international range of the journal Kwartalnik Filmowy.

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The project Publishing of “Kwartalnik Filmowy” in 2024 in paper version is financially supported by the Polish Film Institute under the operational program “Dissemination of film culture”. Agreement no. DUK.602.9.2024. Project duration: 11.01.2024-16.12.2024. The total funding value is PLN 24 000.