The Taming of the Shrew, or Film Narrative at the Crossroads of History

Kamila Żyto

junepl@yahoo.com
University of Łódź (Poland)
https://orcid.org/0000-0003-2822-8341

Abstract

The article is a review of a book by Jacek Ostaszewski Historia narracji filmowej [The History of Film Narrative] (2018) published by the Universitas publishing house. The aim of the review is to show the originality of the Polish researcher’s ideas and position them in relation to other publications devoted to the same problem. The reference point here is primarily, but not only, the ideas of film theorists: David Bordwell and Kristin Thompson, held in high esteem within the Polish film studies. Ostaszewski tries to enter into a polemic with American researchers, at the same time develops their thought and – most importantly – shows the development of narrative modes in a historical perspective.

 


Keywords:

film narrative

Ostaszewski, Jacek. Historia narracji filmowej [The History of Film Narrative] (2018)
  Google Scholar


Published
2019-06-30

Cited by

Żyto, K. (2019) “The Taming of the Shrew, or Film Narrative at the Crossroads of History ”, Kwartalnik Filmowy, (105-106), pp. 306–309. doi: 10.36744/kf.68.

Authors

Kamila Żyto 
junepl@yahoo.com
University of Łódź Poland
https://orcid.org/0000-0003-2822-8341

Dr hab.; adiunkt w Katedrze Mediów i Kultury Audiowizualnej Uniwersytetu Łódzkiego; współpracuje z Młodzieżową Akademią Filmową „Bliżej kina”, Gabinetem Edukacji Filmowej w Łodzi, Polskim Instytutem Sztuki Filmowej (przy projektach „Filmoteka Szkolna” i „Akademia Polskiego Filmu”) oraz DKF PWSFTviT; jest wykładowcą UŁ oraz Akademii Muzycznej w Łodzi. Autorka książek Strategie labiryntowe w filmie fikcji (2010) oraz Film noir i kino braci Coen (2017). Współredagowała tomy Filmowe ogrody Wojciecha Jerzego Hasa (2011), Billy Wilder. Mistrz kina z Suchej Beskidzkiej (2011), Od Cervantesa do Perez-Reverte’a. Adaptacje literatury hiszpańskiej i iberoamerykańskiej (2011) oraz Autorzy kina europejskiego VII (2018). Interesuje się kinem polskim (w szczególności wątkami polsko-żydowskimi), kinem amerykańskim (kino noir i neo-noir) oraz kinem świata hiszpańskojęzycznego.



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