Alice Doesn’t Live Here Anymore...
Grażyna Stachówna
grazyna.stach@uj.edu.plJagiellonian University (Poland)
https://orcid.org/0000-0002-7288-6803
Abstract
A Memory of Professor Alicja Helman (1935-2021). (Non-reviewed material).
Keywords:
Alicja HelmanReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Grażyna Stachównagrazyna.stach@uj.edu.pl
Jagiellonian University Poland
https://orcid.org/0000-0002-7288-6803
Associate Professor in the Institute of Audiovisual Arts at the Jagiellonian University; author of five books and over two hundred articles on popular and Polish movies; editor of eleven collective volumes. Currently Professor Emerita – finally she can do to the fullest what she really likes: she’s putting the final touches to the last chapter of her book Jancioland i okolice [Johnnieland and Surrounds] on Jan Jakub Kolski’s movies; she reaches out for films with happy endings only, binge-watches long-running series and immerses herself in bulky crime novels, being especially passionate about Cormoran Strike’s investigations; she’s a rabid fan of Benedict Cumberbatch, great enthusiast of bel canto operas and songs of Elvis Presley.
Statistics
Abstract views: 318PDF downloads: 295
License
Copyright (c) 2021 Grażyna Stachówna
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Grażyna Stachówna, My Debut in “Kwartalnik” , Kwartalnik Filmowy: No. 100 (2017): On Celebrating
- Grażyna Stachówna, Żuławski in Grand Guignol , Kwartalnik Filmowy: No. 95 (2016): Transnational Dimension of Polish Cinema
Similar Articles
- Alicja Helman, Cultural Contexts of Glauber Rocha’s Filmmaking , Kwartalnik Filmowy: No. 103 (2018): Young Polish Cinema – Confrontation of Generations
- Alicja Helman, Spider’s Love Game, or on Bernardo Bertolucci’s Adaptation Strategies , Kwartalnik Filmowy: No. 100 (2017): On Celebrating
- Andrzej Gwóźdź, A Somewhat Personal Memory of Alicja Helman From the Time of Her Silesian Haven , Kwartalnik Filmowy: No. 113 (2021): Film and Technology
- Andrzej Pitrus, To Sang Fotostudio/”To Sang Fotostudio”: Coda – Alicja – Sense , Kwartalnik Filmowy: No. 103 (2018): Young Polish Cinema – Confrontation of Generations
- Alicja Helman, Difficult Development of Unused Potential , Kwartalnik Filmowy: No. 103 (2018): Young Polish Cinema – Confrontation of Generations
- Teresa Rutkowska, The Professor , Kwartalnik Filmowy: No. 113 (2021): Film and Technology
- Alicja Helman, In Search of Meaning , Kwartalnik Filmowy: No. 87-88 (2014): Film and Theatre
- Alicja Helman, The Culture of Deformed Meanings , Kwartalnik Filmowy: No. 89-90 (2015): Redefinitions of the Classics
- Jacek Ostaszewski, Subjective Techniques in Feature Films , Kwartalnik Filmowy: No. 97-98 (2017): Wandering Motifs
- Alicja Helman, The Paths of Film Studies Development , Kwartalnik Filmowy: No. 85 (2014): Film and Media – the Past and the Future
You may also start an advanced similarity search for this article.
