Austrian Avant-Garde: Peter Kubelka – A Cook and a Film Maker

Beata Kosińska-Krippner

kwartalnik.filmowy@ispan.pl
Institute of Art, Polish Academy of Sciences (Poland)

Abstract

A portrait of Peter Kubelka - one of the best known Austrian artist, a legend of international film avant­garde in the post-war era. The author presents Kubelka’s films in the order of their production, showing the evolution of his work resulting from the search for the essence of film. In her presentation of Kubelka’s life and work Kosińska-Krippner presents the richness of his personality, and the width of his culture related interests (film, cooking, architecture, archaeology). She shows him as a director, teacher, adventurer, presenter, performer, philosopher, ethnologist, cook and a musician. She describes his most important projects (Austrian Film Museum, Anthology Film Archives, The Invisible Cinema) and notes the influence Kubelka had on other artists.


Keywords:

Peter Kubelka, Austrian avant-garde, Anthology Film Archive

Adams Sitney P., Structural film, w: Experimental cinema: the film reader, red. W.W. Dixon, G. A. Foster, Routledge London 2002, s. 228.
  Google Scholar

Adams Sitney P., The Avant-Garde Film:A Reader of Theory and Criticism, New York University Press, New York 1978, s. 157-158.
  Google Scholar

Avantgardefilm. Österreich 1950 bis heute, red. A. Horwath, L. Ponger, G. Schlemmer, Wespennest Verlag, Wien 1995, s. 10, 16-17, 28, 30, 32-33.
  Google Scholar

Cinema:”Food” for Though. Interview with Peter Kubelka, „Off Screen”, November 2005, Vol. 9, Issue 11, 30.
  Google Scholar

From Cinemanews 1974, 5. Peter Kubelka at the Cinematheuque, October 3, 1974, w: S. MacDonald, Canyon Cinema: the life and times of an independent film distributor, University of California Press, Berkeley - Los Angeles - London 2008, s. 185-186.
  Google Scholar

Geyrhofer Friedrich, Das spekulative Auge. Über die Filme Peter Kubelkas, w: Avantgardefilm, Österreich 1950 bis heute, red. A. Horwath, L. Ponger, G. Schlemmer, Wespennest Verlag, Wien 1995, s. 103-104, 106-108, 110, 120-121.
  Google Scholar

Gidal Peter, Structural film anthology, 1976, s. 57.
  Google Scholar

Hamlyn Nicky, Peter Kubelka’s „Arnulf Rainer”, w: Avantgarde film, red. A. Graf, D. Scheunemenn, Rodopi B.V, Amsterdam – New York 2007, s. 249-260.
DOI: https://doi.org/10.1163/9789401200035_015   Google Scholar

Heart core. The filmic gospel according to Peter Kubelka. Wywiad przeprowadziła Michelle Silva, „San Francisco Bay Guardian” http://www.sfbg.com/40/03/art_core.html.
  Google Scholar

Horwath Alexander, This Side of Paradise, „Film Comment” 2004, September/October.
  Google Scholar

Kluszczyński Ryszard, Awangarda. Rozważania teoretyczne, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 1997, s. 76-77.
  Google Scholar

MacDonald Scott, His African Journey. An Interview with Peter Kubelka, „Film Quartely” 2004, nr 53, s. 2-6, 10-11.
DOI: https://doi.org/10.1525/fq.2004.57.3.2   Google Scholar

Mekas Jonas, Interview with Peter Kubelka, „Film Culture Reader”, wyd. P. Adams Sitney, Praeger, New York 1970, s. 291.
  Google Scholar

Russell Catherine, Experimental Ethnography: The Work of Film in the Age of Video, N. C: Duke University Press, Durham 1999, s. 129, 132.
DOI: https://doi.org/10.1515/9780822396680   Google Scholar

Tscherkassky Peter, Die gefügte Zeit. Peter Kubelkas metrische Filme, w: Avantgardefilm, Österreich 1950 bis heute, red. A. Horwath, L. Ponger, G. Schlemmer, Wespennest Verlag, Wien 1995, s. 113, 120-122.
  Google Scholar

Zaunschirm Thomas, Die Kunst des Urgeschmacks – Peter Kubelka und Johanna Meier. http://www.zaunschirm.de.
  Google Scholar


Published
2010-06-30

Cited by

Kosińska-Krippner, B. (2010) “Austrian Avant-Garde: Peter Kubelka – A Cook and a Film Maker”, Kwartalnik Filmowy, (70), pp. 59–82. doi: 10.36744/kf.3058.

Authors

Beata Kosińska-Krippner 
kwartalnik.filmowy@ispan.pl
Institute of Art, Polish Academy of Sciences Poland

Pracuje w Zakładzie Antropologii Kultury, Filmu i Sztuki Audiowizualnej w Instytucie Sztuki Polskiej Akademii Nauk; zajmuje się teorią i historią filmu i telewizji; redaktorka “Kwartalnika Filmowego”, w którym w latach 1993-2005 publikowała m.in. doroczną kronikę wydarzeń filmowych, obejmującą lata 1992-2002. Autorka pracy doktorskiej pt. Poetyka polskiej telenoweli dokumentalnej (2008), napisanej pod kierunkiem prof. Marka Hendrykowskiego.



Statistics

Abstract views: 27
PDF downloads: 9


License

Copyright (c) 2010 Beata Kosińska-Krippner

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.

In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.


Most read articles by the same author(s)

1 2 > >>