Postkino a feminizm: doświadczanie, materialność i przemieszczenia

Beugnet, M., Mulvey, L. (2018). Film, Corporeality, Transgressive Cinema: A Feminist Perspective. Amsterdam: Amsterdam University Press.
  Google Scholar

Bhandari, A., Bimo, S. (2022). Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media. Social Media + Society, 8 (1), ss. 1-11. https://doi.org/10.1177/20563051221086241
DOI: https://doi.org/10.1177/20563051221086241   Google Scholar

Braidotti, R. (2021). Post-Human Feminism. Cambridge: Polity Press.
  Google Scholar

Casetti, F. (2016). The Relocation of Cinema. W: S. Denson, J. Leyda (red.), Post-Cinema: Theorizing 21st-Century Film (ss. 569-615). Falmer: Reframe Books.
  Google Scholar

Casetti, F., Pinotti, A. (2020). Post-Cinema Ecology. W: D. Chateau, J. Moure (red.), Post-Cinema: Cinema in the Post-Art Era (ss. 193-217). Amsterdam: Amsterdam University Press.
DOI: https://doi.org/10.5117/9789463727235_CH11   Google Scholar

Chateau, D., Moure, J. (2020). Introduction. W: D. Chateau, J. Moure (red.), Post-Cinema: Cinema in the Post-Art Era (ss. 13-24). Amsterdam: Amsterdam University Press.
DOI: https://doi.org/10.2307/j.ctv1b0fvtp.5   Google Scholar

Denson, S., Leyda, J. (2016). Perspectives on Post-Cinema: An Introduction. W: S. Denson, J. Leyda (red.), Post-Cinema: Theorizing 21st-Century Film (ss. 1-19). Falmer: Reframe Books.
  Google Scholar

Dolphijn, R., van der Tuin, I. (2012). New Materialism: Interviews and Cartographies. Ann Arbor: Open Humanities Press.
DOI: https://doi.org/10.3998/ohp.11515701.0001.001   Google Scholar

Fossati, G., van den Oever, A. (2020). The Twenty-First-Century Post-Cinematic Ecology of the Film Museum: Theorizing a Film Archival Practice in Transition – A Dialogue. W: D. Chateau, J. Moure (red.), Post-Cinema: Cinema in the Post-Art Era (ss. 129-141). Amsterdam: Amsterdam University Press.
DOI: https://doi.org/10.2307/j.ctv1b0fvtp.11   Google Scholar

Juhasz, A. (2006). Video Remains: Nostalgia, Technology, and Queer Archive Activism. GLQ: A Journal of Lesbian and Gay Studies, 12 (2), ss. 319-328.
DOI: https://doi.org/10.1215/10642684-12-2-319   Google Scholar

Land, B. (2025, luty). Sundance Audience Award Winner „East of Wall” Sells to Sony Pictures Classics. Variety. https://variety.com/2025/film/news/sundance-audienceaward-winner-east-of-wall-sells-sony-pictures-classics-1236300243/
  Google Scholar

Michałowska, M. (2024). Materia(ł) fotografii. Obrazy środowiska przyrodniczego we współczesnych praktykach wizualnych. Kraków: Universitas.
  Google Scholar

Mulvey, L., Backman Rogers, A. (2015). Preface. W: L. Mulvey, A. Backman Rogers (red.), Feminisms: Diversity, Difference, and Multiplicity in Contemporary Film Cultures (ss. 10-14). Amsterdam: Amsterdam University Press.
DOI: https://doi.org/10.1515/9789048523634-002   Google Scholar

Neimanis, A. (2022). Ciała wodne. Posthumanistyczna fenomenologia feministyczna (tłum. S. Królak). Warszawa: Aletheia.
  Google Scholar

Reeves, J. (2025, wrzesień). Director’s Statement. JenniferReevesFilm. https://www.jenniferreevesfilm.com/pages/artpage_1.php?page=25
  Google Scholar

Revelles-Benavente, B., Ernst, W., Rogowska-Stangret, M. (2020) (red.). Feminist New Materialisms: Activating Ethico-Politics Through Genealogies in Social Sciences. Basel: MDPI Books.
DOI: https://doi.org/10.3390/socsci8110296   Google Scholar