Orientalne gwiazdy Hollywood

Bhabha, Homi K. 2010. Tłum. T. Dobrogoszcz, Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego.
  Google Scholar

Brooks, Peter. 1995. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess, New Haven: Yale University Press.
  Google Scholar

Browne, Nick. 1996. The Undoing of the Other Woman. Madame Butterfly in the Discourse of American Orientalism. W: The Birth of Whiteness: Race and the Emergence of U.S. Cinema, D. Bernardi (red.), New Brunswick: Rutgers University Press.
  Google Scholar

Chung, Hye Seung. 2006. Hollywood Asian: Philip Ahn and the Politics of Cross-ethnic Performance. Philadelphia: Temple University Press.
  Google Scholar

Delluc, Louis. 1988. Beauty in the Cinema. W: French Film Theory and Criticism: A History/Anthology 1907-1939, tom 1, R. Abel (red.), Princeton: Princeton University Press.
  Google Scholar

Fuller, Karla Rae. 2010. Hollywood Goes Oriental: CaucAsian Performance in American Film, Detroit: Wayne State University Press.
  Google Scholar

Gandhi, Leela. 2008. Teoria postkolonialna. Tłum. J. Serwański. Poznań: Wydawnictwo Poznańskie.
  Google Scholar

Hall, Jacquelyn Dowd. 1983. The Mind That Burns in Each Body: Women, Rape and Racial Violence. W: Powers of Desire: The Politics of Sexuality, A. Snitow, C. Stansell, S. Thompson (red.), New York: Monthly Review Press.
  Google Scholar

Higashi, Sumiko. 1994. Cecil B. DeMille and American Culture: The Silent Era, Berkeley: University of California Press.
  Google Scholar

Higashi, Sumiko. 1991. Ethnicity, Class, and Gender in Film: DeMille’s The Cheat. W: Unspeakable Images: Ethnicity and the American Cinema, L. D. Friedman (red.). Urbana: University of Illinois Press.
  Google Scholar

Kirihara, Donald. 1996. The Accepted Idea Displaced. W: The Birth of Whiteness: Race and the Emergence of U.S. Cinema, D. Bernardi (red.), New Brunswick: Rutgers University Press.
  Google Scholar

Liu, Cynthia W. 2000. When Dragon Ladies Die, Do they Come Back as Butterflies? Re-imagining Anna May Wong. D. Y. Hamamoto (red.). Philadelphia: Temple University Press.
  Google Scholar

Loomba, Ania. 2011. Kolonializm/Postkolonializm. Tłum. N. Bloch, Poznań: Wydawnictwo Poznańskie.
  Google Scholar

Marchetti, Gina. 1994. Romance and the Yellow Peril: Race, Sex, and Discursive Strategies in Hollywood Fiction, Berkeley: University of California Press.
  Google Scholar

Miyao, Daisuke. 2007. Sessue Hayakawa: Silent Cinema and Transnational Stardom, Durham: Duke University Press.
DOI: https://doi.org/10.1215/9780822389828   Google Scholar

Moon, Krystyn R. 2005. Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s, New Brunswick: Rutgers University Press.
  Google Scholar

Ross, Sara. 2005. The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the New Woman, „Camera Obscura” 20 (3).
DOI: https://doi.org/10.1215/02705346-20-3_60-129   Google Scholar

Said, Edward W. 2005. Orientalizm. Tłum. M. Wyrwas-Wiśniewska, Poznań: Zyska i S-ka.
  Google Scholar

Wang, Hanying. 2012. Portrayals of Chinese Women’s Images in Hollywood Mainstream Films — An Analysis of Four Representative Films of Different Periods, „Intercultural Communication Studies”, 21 (3).
  Google Scholar

Williams, John R. 2011. The Chinese Parrot: Technê-Pop Culture and the Oriental Detective Film, „Modernism/Modernity”, 18 (1).
DOI: https://doi.org/10.1353/mod.2011.0020   Google Scholar

Young, Robert J.C. 2012. Postkolonializm. Tłum. M. Król. Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego.
  Google Scholar