No. 29-30 (2000): Ethics and Aesthetics

Editorial

Teresa Rutkowska

published: 2000-06-30

PDF (Język polski)

Ethos or Action Movies

Stefan Morawski

5-8

published: 2000-06-30

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Polish Choices

The Value of Silence

Robert Piłat

10-19

published: 2000-06-30

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Möbius Strip as the Space-Time of a Film Work: On the Example of Wojciech Has’s “The Halter” and Grzegorz Królikiewicz’s “Killing the Aunt”

Seweryn Kuśmierczyk

20-41

published: 2000-06-30

PDF (Język polski)

Dual Form of “The Codes” by Wojciech Jerzy Has: The Truth to Decipher

Anne Guérin-Castell

42-52

published: 2000-06-30

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Encounter Between Ethics and Film in the Work of Krzysztof Kieślowski

Agnieszka Kulig

53-58

published: 2000-06-30

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Holocaust and Everyday Life of Concentration Camp

Poles and Jews in “Border Street”

Piotr Litka

60-74

published: 2000-06-30

PDF (Język polski)

The Ethics of Representation (a Review of the Film “Jacob the Liar” and an Interview with Director Peter Kassovitz)

Marty Fairbairn

75-82

published: 2000-06-30

“Life is Beautiful”: Reception, Allegory, and Holocaust Laughter

Maurizio Viano

83-95

published: 2000-06-30

Tadzik’s Adventures with Totalitarianism: Metaphorization of Labour Camp Reality in Leszek Wosiewicz’s Film “Kornblumenblau”

Marta Wróbel

96-112

published: 2000-06-30

PDF (Język polski)

Understanding the “Other”

The Aesthetics of Degenerations and the Obsession of Decay: Image of a Human Body in Luis Buñuel’s Films

Iwona Kolasińska

114-135

published: 2000-06-30

PDF (Język polski)

Bottle and String With Wet Clothes: On Yasujiro Ozu’s “Tokyo Story” and “Floating Weeds”

Aneta Pierzchała

136-153

published: 2000-06-30

PDF (Język polski)

Wojciech Jerzy Has’s “The Hourglass Sanatorium” in the Context of Tradition of Judaics

Małgorzata Burzyńska-Keller

154-164

published: 2000-06-30

PDF (Język polski)

Life Is All That Matters: Vitalistic Dualism of Abbas Kiarostami

Elżbieta Wiącek

165-185

published: 2000-06-30

PDF (Język polski)

As if Franco Never Existed: Ideology in Pedro Almodóvar’s Films

Ewa Mazierska

186-194

published: 2000-06-30

PDF (Język polski)

The Ethics of Documentary Film Maker

Lest It Hurt: Katarzyna Jabłońska Talks with Marcel Łoziński

Katarzyna Jabłońska

196-204

published: 2000-06-30

PDF (Język polski)

A Broadcast From Somebody Else’s Life?: Katarzyna Jabłońska Talks with Wojciech Szumowski

Katarzyna Jabłońska

205-212

published: 2000-06-30

PDF (Język polski)

Ethics versus Aesthetics

Does „Sanctity” of Theme Improve the Work?: Non-Artistic Criteria of Film Work Evaluation

Urszula Jarecka

214-222

published: 2000-06-30

PDF (Język polski)

From Aesthetics and Ethics to Hermeneutics of the Cinema: The Aesthetic and Moral Values of Cinema in the Perspective of the History of Film Theory and Practice

Ewa Mazierska

223-236

published: 2000-06-30

PDF (Język polski)

Laurent Jullier: Questions of Post-Modernist Cinema

Maria Gołębiewska

237-248

published: 2000-06-30

PDF (Język polski)

Photography and Anthropology

Camera Lucida: Photography and Remembrance

Sławomir Sikora

250-272

published: 2000-06-30

PDF (Język polski)

The Eye and the Ear

Three Artists of Light and Space

Marcin Giżycki

273-276

published: 2000-06-30

PDF (Język polski)

Books on Film

Like in a Mirror: Tadeusz Szczepański on the Films of Ingmar Bergman

Lech Sokół

277-281

published: 2000-06-30

PDF (Język polski)

Audiovisual Landscapes of Images and Things

Piotr Zawojski

282-285

published: 2000-06-30

PDF (Język polski)

Seeing – Understanding – Interpreting

Andrzej Gwóźdź

286-288

published: 2000-06-30

PDF (Język polski)

Documentation

Film in Poland 1999

Beata Kosińska-Krippner

291-390

published: 2000-06-30

PDF (Język polski)

Table of Contents in French

Teresa Rutkowska

396

published: 2000-06-30

PDF (Język polski)

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