Was It SFX Cinema that Created Donald Trump?
Marcin Giżycki
kwartalnik.filmowy@ispan.plPolish-Japanese Academy of Information Technology (Poland)
Abstract
Starting with the idea of the American film critic Owen Gleiberman, that SFX cinema created the culture of unreality, and that very culture produced Donald Trump, the author recalls a number of films that somehow foresaw the emergence of this businessman and showman on the political scene. These films are: A Face in the Crowd (dir. Elia Kazan, 1957), The Best Man (dir. Franklin J. Schaffner, 1964) and Bob Roberts (dir. Tim Robbins, 1992).
Keywords:
SFX, Donald Trump, unrealityReferences
Mitroff. I., Warren Bennis. The Unreality Industry: The Deliberate Manufacturing of Falsehood and What It Is Doing to Our Lives. New York 1993
Google Scholar
Vidal, G. United States: Essays 1952-1992. New York 1993.
Google Scholar
Weimann, G. Communicating Unreality: Modern Media and the Reconstruction of Reality. Thousand Oaks-London-New Delhi 1999.
DOI: https://doi.org/10.4135/9781452233321
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Authors
Marcin Giżyckikwartalnik.filmowy@ispan.pl
Polish-Japanese Academy of Information Technology Poland
Krytyk i historyk sztuki; autor książek z dziedziny historii filmu i zjawisk kultury artystycznej. Wykładowca w Rhode Island School of Design w USA, profesor w Polsko-Japońskiej Akademii Technik Komputerowych w Warszawie. Opublikował m.in. Nie tylko Disney - rzecz o kinie animowanym (2000), Koniec i co dalej? (2001), Słownik kierunków, ruchów i kluczowych pojęć sztuki drugiej połowy XX wieku (2002), Wenders do domu! Europejskie filmy o Ameryce i ich recepcja w Stanach Zjednoczonych (2006).
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