Make Yourself a Universe, or Anatomy of the Contemporary Comic Book Film
Wojciech Świdziński
kwartalnik.filmowy@ispan.plThe Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw (Poland)
Abstract
The book by Tomasz Żaglewski Kinowe uniwersum superbohaterów. Analiza współczesnego filmu komiksowego [Cinematic universe of superheroes. Analysis of the contemporary comic book film] (2017) is an attempt to formulate a theoretical discourse dedicated to the contemporary comic book film. According to the author, in recent years, we can observe an unusual development of this meta-genre, which differs from its earlier forms by seriously treating the comic book prototype and transferring the narrative and visual structures of the comics to the screen. Żaglewski believes that the fundamental features of these films are hybridity, paratextuality and transmediality, together forming a “univers(e)al triangle”. The author presents original analyses of this phenomenon, referring to such films as Dark Knight, Avengers or Deadpool. He also thoroughly discusses the circumstances surrounding their production, the impact of market mechanisms, as well as the context of their reception.
Keywords:
Tomasz Żaglewski, comic book film, adaptation, superheroesReferences
T. Żaglewski Kino zmutowane. Nowa estetyka komiksu filmowego na przykładzie „X-Men” Bryana Singera, „Kwartalnik Filmowy” 2015, nr 91.
DOI: https://doi.org/10.36744/kf.2285
Google Scholar
www.youtube.com/watch?v=9fv5RFfOWBc (dostęp: 23.08.2017).
Google Scholar
B. Szczekała, Kino postfabularne i karnawał atrakcji, „Ekrany” 2015, nr 3-4, s. 12.
Google Scholar
T. Żaglewski, Kinowe uniwersum superbohaterów. Analiza współczesnego filmu komiksowego, PWN, Warszawa 2017.
Google Scholar
Authors
Wojciech Świdzińskikwartalnik.filmowy@ispan.pl
The Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw Poland
Doktor nauk humanistycznych, teatrolog i filmoznawca, wykładowca Akademii Teatralnej im. Aleksandra Zelwerowicza w Warszawie, członek Polskiego Towarzystwa Badań nad Filmem i Mediami. Opublikował książkę Co było grane? Film zagraniczny w Polsce w latach 1918-1929 na przykładzie Warszawy. Jest także autorem opracowania naukowego zbioru felietonów filmowych Andrzeja Własta Dziesiąta Muza (impresje) (2017). Artykuły naukowe i popularnonaukowe publikował m.in. w „Kwartalniku Filmowym”, „Ekranach” i „Pleografie”.
Statistics
Abstract views: 67PDF downloads: 48
License
Copyright (c) 2018 Wojciech Świdziński
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Wojciech Świdziński, The Backstage Film as a Genre and as a Social Mirror , Kwartalnik Filmowy: No. 116 (2021): Cinema and Social Identity
- Wojciech Świdziński, Benshi in “Yoseba” or Following Other Shadows , Kwartalnik Filmowy: No. 116 (2021): Cinema and Social Identity
- Wojciech Świdziński, Description of Customs of the Regulars of the Film Atlantis , Kwartalnik Filmowy: No. 111 (2020): Senses and Affects
- Wojciech Świdziński, Changing Preferences: A Change of Perspective , Kwartalnik Filmowy: No. 121 (2023): Cinema and Young Audience
- Wojciech Świdziński, Comedians and Comics: The Second Life of the Interwar Film Stars , Kwartalnik Filmowy: No. 125 (2024): Cinema as a Memory Machine
- Wojciech Świdziński, Is It Possible to Identify Who Was the King of Laughter?: Notes on Film Reception Studies in Interwar Poland , Kwartalnik Filmowy: No. 127 (2024): Empirical Film Studies
- Wojciech Świdziński, Where the Wind Blows From: Western Inspirations in the Work of Miyazaki Hayao , Kwartalnik Filmowy: No. 91 (2015): Film Between Pop Music and Pop Culture
- Wojciech Świdziński, “The Tenth Muse (Impressions)”: Andrzej Włast’s Columns on Film From the Period of 1923-1924 , Kwartalnik Filmowy: No. 86 (2014): Dimensions of Time
