Animated Documentary: A New Genre or a Marketing Gimmick?
Marcin Giżycki
kwartalnik.filmowy@ispan.plPolish-Japanese Academy of Information Technology (Poland)
Abstract
In recent years, the term “animated documentary” has become very popular. This is largely due to the promotional campaign for the film Waltz with Bashir (2008) by Ari Folman, which was promoted as the first full-length animated documentary film. The author carries out criticism of this overused term, and demonstrates that this is an oxymoron. He proposes in its place the term “non-fiction animation”. He also considers the difference between how animation functions in a documentary film and its role in an “animated documentary”.
Keywords:
animated documentary, Ari Folman, non-fiction animationReferences
A. Honess Roe, Animated Documentary, Besingstoke-New York 2013, s, 4.
Google Scholar
Barış Tolga Ekinci, A Hybrid documentary genre: Animated documentary and the analysis of „Waltz with Bashir”, „CINEJ Cinema Journal” 2017, t. 6, nr 1, s. 12-13.
DOI: https://doi.org/10.5195/cinej.2017.144
Google Scholar
Y. Yang, From Trust to Truth: A Brief Analysis of the Animated Documentary „Waltz with Bashir”, „Animatrix: A Journal of the UCLA Animation Workshop” 2011, nr 19, s. 69.
Google Scholar
http://www.pbs.org/independentlens/blog/great-animated-documentaries (dostęp: 13.03. 2018). To nie jest byle jaki blog, to ranking opublikowany na oficjalnej stronie amerykańskiej telewizji publicznej PBS.
Google Scholar
NUTS!” (2016), http://pennylaneismyrealname.com/film/nuts-the-brinkley-story/ (dostęp: 13.03. 2018).
Google Scholar
E. Townsend, His Mother's Voice: Dennis Tupicoff's New Documentary, “Animation World Magazine” 1998, nr 2, https://www.awn.com/mag/issue2.11/2.11pages/2.11townsendmother.html (dostęp: 15.03.2018).
Google Scholar
André Bazin on Chris Marker, https://chrismarker.org/andre-bazin-on-chris-marker-1958 (dostęp: 13.04.2018). André Bazin, Lettre de Sibérie, „France Observateur” 1958, 30 s. 22.
Google Scholar
Pornografia Holokaustu. z Alvinem H. Rosenfeldem rozmawia Marta Duch-Dyngosz, „Znak” 2014, luty, nr 706, przedruk na stronie: http://www.miesiecznik.znak.com.pl/7052014z%E2%80%AFalvinem-h-rosenfeldem-rozmawia-marta-duch-dyngoszpornografia-holokaustu (dostęp: 13.04. 2018).
Google Scholar
Authors
Marcin Giżyckikwartalnik.filmowy@ispan.pl
Polish-Japanese Academy of Information Technology Poland
Krytyk i historyk sztuki; autor książek z dziedziny historii filmu i zjawisk kultury artystycznej. Wykładowca w Rhode Island School of Design w USA, profesor w Polsko-Japońskiej Akademii Technik Komputerowych w Warszawie. Opublikował m.in. Nie tylko Disney - rzecz o kinie animowanym (2000), Koniec i co dalej? (2001), Słownik kierunków, ruchów i kluczowych pojęć sztuki drugiej połowy XX wieku (2002), Wenders do domu! Europejskie filmy o Ameryce i ich recepcja w Stanach Zjednoczonych (2006).
Statistics
Abstract views: 69PDF downloads: 42
License
Copyright (c) 2018 Marcin Giżycki
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Marcin Giżycki, Tamara Sorbian-Kasprzycka, 1952-2020. In Memoriam , Kwartalnik Filmowy: No. 112 (2020): Polish Documentary, Polish Animation
- Marcin Giżycki, Tucker and Others , Kwartalnik Filmowy: No. 110 (2020): Beyond Human Being
- Marcin Giżycki, Déjà Vu , Kwartalnik Filmowy: No. 114 (2021): Contamination, Dirt, Flaw
- Marcin Giżycki, Construction – Reproduction: Graphics, Photography and Film in Polish Constructivism , Kwartalnik Filmowy: No. Special Issue (2013): Polish Film Scholars on Polish Cinema
- Marcin Giżycki, The Charm of Long Shots , Kwartalnik Filmowy: No. 92 (2015): Polish Cinema and Politics
- Marcin Giżycki, The Spirit of William Mulholland , Kwartalnik Filmowy: No. 93-94 (2016): American Cinema
- Marcin Giżycki, Thus Spoke the Artist , Kwartalnik Filmowy: No. 104 (2018): Essay, Found Footage, Compilation Film
- Marcin Giżycki, Was It SFX Cinema that Created Donald Trump? , Kwartalnik Filmowy: No. 95 (2016): Transnational Dimension of Polish Cinema
- Marcin Giżycki, A Lost Dimension , Kwartalnik Filmowy: No. 86 (2014): Dimensions of Time
- Marcin Giżycki, Hedy and George – Music, Cinema, Scandals and Torpedoes , Kwartalnik Filmowy: No. 91 (2015): Film Between Pop Music and Pop Culture