Nieudane rekonsolidacje pamięci. Widma aborygeńskiego życia w „Limbo” Ivana Sena

Althans, K. (2024). Ecologemes in Contemporary Australian Crime Fiction: The Case of Outback Noir. W: N. Ashman (red.), The Routledge Handbook of Crime Fiction and Ecology (ss. 251-263). New York: Routledge.
DOI: https://doi.org/10.4324/9781003091912-24   Google Scholar

Amani U. N. (2025). Film Noir: Social Commentary through Cinematic Style. IAA Journal of Communication, 11 (1), ss. 37-41.
DOI: https://doi.org/10.59298/IAAJC/2025/1113741   Google Scholar

Anastasio, T. J., Ehrenberger, K. A., Watson, P., Zhang, W. (2012). Individual and Collective Memory Consolidation: Analogous Processes on Different Levels. Cambridge: The MIT Press.
DOI: https://doi.org/10.7551/mitpress/9173.001.0001   Google Scholar

Assmann, A. (2013). Między historią a pamięcią. Antologia (red. M. Saryusz-Wolska). Warszawa: Wydawnictwa Uniwersytetu Warszawskiego.
DOI: https://doi.org/10.31338/uw.9788323514497   Google Scholar

Banner, S. (2005). Why Terra Nullius?: Anthropology and Property Law in Early Australia. Law and History Review, 23 (1), ss. 95-131. https://doi.org/10.1017/S073824800000008X
DOI: https://doi.org/10.1017/S0738248000000067   Google Scholar

Bardon, G., Ryan, J. (1991). Papunya Tula: Art of the Western Desert. Melbourne: McPhee Gribble.
  Google Scholar

Bhabha, H. K. (2010). Miejsca kultury (tłum. T. Dobrogoszcz). Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego.
  Google Scholar

Binns, D. (2019). Dronopoetics: Unmanned Aerial Cinematography and Ivan Sen’s „Goldstone”. Journal of Asia-Pacific Pop Culture, 4 (1), ss. 26-41. https://doi.org/10.5325/jasiapacipopcult.4.1.0026
DOI: https://doi.org/10.5325/jasiapacipopcult.4.1.0026   Google Scholar

Birns, N. (2015). Contemporary Australian Literature: A World Not Yet Dead. Sydney: Sydney University Press.
DOI: https://doi.org/10.26530/OAPEN_625670   Google Scholar

Brennan, S. (2004). Reconciliation in Australia: The Relationship Between Indigenous Peoples and the Wider Community. The Brown Journal of World Affairs, 11 (1), ss. 149-161.
  Google Scholar

Buckmaster, L. (2016, 8 czerwca). Ivan Sen on His Outback Thriller „Goldstone”: ‘Action Shouldn’t Be Thought of as Trash’. The Guardian. https://www.theguardian.com/film/2016/jun/08/ivan-sen-on-his-outback-thriller-goldstone-action-shouldnt-be-thought-of-as-trash
  Google Scholar

Chrzanowska, J. (2019). Spór o historię kontynentu i pochód do pojednania – Aborygeni w wielokulturowej Australii. Relacje Międzykulturowe, 1 (5), ss. 149-168.
DOI: https://doi.org/10.12797/RM.01.2019.05.06   Google Scholar

Collins, F., Davis, T. (2004). Australian Cinema after Mabo. Port Melbourne: Cambridge University Press.
DOI: https://doi.org/10.1017/CBO9780511802324   Google Scholar

Collins, F., Landman, J., Bye, S. (red.) (2019). A Companion to Australian Cinema. New York: Wiley Blackwell.
DOI: https://doi.org/10.1002/9781118942567   Google Scholar

Dolgopolov, G. (2021). Ghosting in the Outback Noir. Coolabah, (29), ss. 34-48. https://doi.org/10.1344/co20212934-48
DOI: https://doi.org/10.1344/co2021294-16   Google Scholar

Gall, A., Probyn-Rapsey, F. (2006). Ivan Sen and the Art of the Road. Screen, 47 (4), ss. 425-439. https://doi.org/10.1093/screen/hjl036
DOI: https://doi.org/10.1093/screen/hjl036   Google Scholar

Gelder, K., Jacobs, J. M. (1998). Uncanny Australia: Sacredness and Modernity in a Postcolonial Nation. Melbourne: Melbourne University Press.
  Google Scholar

Gibson, R. (1984). The Diminishing Paradise: Changing Literary Perceptions of Australia. Sydney: Angus and Robertson.
  Google Scholar

Grehan, H. (2001). Mapping Cultural Learning in Contemporary Australian Performance. Basingstoke: Peter Lang Publishing.
  Google Scholar

Griffin, L., Griffin, S., Trudgett, M. (2017). At the Movies: Contemporary Australian Indigenous Cultural Expressions – Transforming the Australian Story. The Australian Journal of Indigenous Education, 47 (2), ss. 131-138. https://doi.org/10.1017/jie.2017.27
DOI: https://doi.org/10.1017/jie.2017.15   Google Scholar

Hamilton, E. (2022). „They Like All Pictures which Remind Them of Their Own”: The „Entangled” Development of Australian Westerns. W: H. Mayer, D. Roche (red.), Transnationalism and Imperialism: Endurance of the Global Western Film (ss. 264-271). Bloomington: Indiana University Press.
DOI: https://doi.org/10.2307/j.ctv26qjhx8.22   Google Scholar

Heeney, A. (2024, 22 marca). Interview: Ivan Sen on „Limbo”. Seventh Row. https://seventh-row.com/2024/03/22/interview-ivan-sen-limbo-2023/
  Google Scholar

Kempna-Pieniążek, M. (2015). Neo-noir. Ciemne zwierciadło czasów kryzysu. Katowice: Wydawnictwo Uniwersytetu Śląskiego.
  Google Scholar

Knudsen, E. R. (2004). The Circle and the Spiral. A Study of Australian Aboriginal and New Zealand Māori Literature. Amsterdam – New York: Brill.
DOI: https://doi.org/10.1163/9789004486546   Google Scholar

Kola, A. F. (2018). Socjalistyczny postkolonializm. Rekonsolidacje pamięci. Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika.
DOI: https://doi.org/10.15804/athena.2018.58.15   Google Scholar

Kopkiewicz, A. (2016, 17 maja). Widmowa teraźniejszość. Rozmowa z Jakubem Momrą i Andrzejem Sosnowskim. Dwutygodnik. https://www.dwutygodnik.com/artykul/6411-widmowa-terazniejszosc.html
  Google Scholar

Liberzon, I., Javanbakht, A. (2015). Memory Reconsolidation and Psychotherapeutic Process. Behavioral and Brain Sciences, 38. https://doi.org/10.1017/S0140525X14000363
DOI: https://doi.org/10.1017/S0140525X14000363   Google Scholar

Łukaszewicz Alcaraz, A. (2019). Contemporary Aboriginal Art from Australia’s Desert: Context, Debates, and Analysis. Athens Journal of Humanities and Arts, 6 (4), ss. 345-366. https://doi.org/10.30958/ajha.6-4-4
DOI: https://doi.org/10.30958/ajha.6-4-4   Google Scholar

Macintyre, S., Clark, A. (2003). The History Wars. Carlton: Melbourne University Press.
  Google Scholar

Marsh, P. (2016). Postcolonial Longing on the Australian Cinematic Frontier. Ilha Desterro: A Journal of English Language Literatures in English and Cultural Studies, 62 (2), ss. 177-191. https://doi.org/10.5007/2175-8026.2012n62p177
DOI: https://doi.org/10.5007/2175-8026.2016v69n2p177   Google Scholar

Marzec, A. (2015). Widmontologia. Teoria filozoficzna i praktyka artystyczna ponowoczesności. Warszawa: Fundacja Bęc Zmiana.
  Google Scholar

Mayer, H., Roche, D. (red.). (2022). Transnationalism and Imperialism: Endurance of the Global Western Film. Bloomington: Indiana University Press.
DOI: https://doi.org/10.2307/j.ctv26qjhx8   Google Scholar

Międzynarodowa Komisja Teologiczna (2007, 19 stycznia). Nadzieja zbawienia dla dzieci, które umierają bez chrztu. Watykan: Libreria Editrice Vaticana. https://www.vatican.va/roman_curia/congregations/cfaith/cti_documents/rc_con_cfaith_doc_20070419_un-baptised-infants_pl.pdf
  Google Scholar

Nahirny, R. (2014). Wobec tajemnicy. Czas snu w kinie postkolonialnej Australii. W: I. Topp, P. J. Fereński, R. Nahirny (red.), Sny w kulturze (ss. 106-120). Warszawa: Wydawnictwo „Korporacja Polonia”.
  Google Scholar

Nora, P. (1989). Between Memory and History: Les Lieux de Mémoire. Representations, (26), ss. 7-24. https://doi.org/10.2307/2928520
DOI: https://doi.org/10.2307/2928520   Google Scholar

Olsen, D. (2001). Dividing Australia: The Story of the Rabbit Proof Fence. Things Magazine, 14. https://www.thingsmagazine.net/text/t14/rabbits.htm
  Google Scholar

Ostaszewski, J. (1991). Konteksty westernu. W: A. Helman (red.), Kino gatunków (ss. 69-83). Warszawa - Kraków: Wydawnictwo Rabid.
  Google Scholar

Pierce, P. (1999). The Country of Lost Children: An Australian Anxiety. Cambridge: Cambridge University Press.
  Google Scholar

Rayner, J. (2022). Australian Gothic: A Cinema of Horrors. Cardiff: University of Wales Press.
DOI: https://doi.org/10.2307/jj.14491619   Google Scholar

Read, P. (1983). The Stolen Generations: The Removal of Aboriginal Children in New South Wales from 1883 to 1969. Surry Hills: New South Wales Department of Aboriginal Affairs. https://dietitiansaustralia.org.au/sites/default/files/2022-02/Reading-7_StolenGenerations.pdf
  Google Scholar

Rieder, J. (2008). Colonialism and the Emergence of Science Fiction. Middletown: Wesleyan University Press.
  Google Scholar

Rutherford, A. (2018). In Conversation with Ivan Sen. Axon: Creative Explorations, 8 (2). https://axonjournal.com.au/issues/8-2/conversation-ivan-sen/
  Google Scholar

Rutherford, A. (2023, 16 maja). Limbo. Ivan Sen’s new film. Australian Book Review Arts. https://www.australianbookreview.com.au/arts-update/101-arts-update/10279-limbo-ivan-sen-s-new-film-by-anne-rutherford
  Google Scholar

Stanner, W. E. H. (2011). The Dreaming and Other Essays. Melbourne: Black Inc. Agenda.
  Google Scholar

Turner, V. (2010). Proces rytualny. Struktura i antystruktura (tłum. E. Dżurak). Warszawa: Państwowy Instytut Wydawniczy.
  Google Scholar

Żyto, K. (2017). Film noir i kino braci Coen. Łódź: Wydawnictwo Uniwersytetu Łódzkiego - Wydawnictwo Biblioteki Państwowej Wyższej Szkoły Filmowej, Telewizyjnej i Teatralnej.
DOI: https://doi.org/10.18778/8088-528-8   Google Scholar