No. 39-40 (2002): Scandinavian Cinema

No. 39-40 (2002): Scandinavian Cinema

We would like to thank the Swedish Film Institute and The Vardö Seminar Foundation for their help and cooperation.

Research supervision and editorial collaboration: Tadeusz Szczepański

Editorial

Tadeusz Szczepański

published: 2002-12-31

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Bergman

Love Without Lovers

Ingmar Bergman

6-79

published: 2002-12-31

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Silent Films According to Ingmar Bergman

Bo Florin

80-90

published: 2002-12-31

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Epilogue – Places of Memory’s Play

Maaret Koskinen

91-116

published: 2002-12-31

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Death Experience in Ingmar Bergman’s “The Seventh Seal”

Anna Melon

117-134

published: 2002-12-31

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Forty-Five Cartons of Bergmaniana

Jan Göransson

135-136

published: 2002-12-31

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Within the Circle of Tradition and History

Watching Alf Sjöberg’s “Miss Julie”

Tadeusz Szczepański

138-150

published: 2002-12-31

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“The Birds” by Tarjei Vesaas and “The Days of Matthew” by Witold Leszczyński: Issues of Film Adaptation

Magdalena Szczucka

151-163

published: 2002-12-31

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Unfashionable History: Memory and National Identity in Aki Kaurismäki’s “Juha”

John Sundholm

164-172

published: 2002-12-31

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An Island in Time

Andreas Wadensjö

173-180

published: 2002-12-31

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Cinema of the North

Film as Art – The Modernist Movement

Henrik Orrje

182-189

published: 2002-12-31

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“The Seven Deadly Sins” by Richard Hobert

Aleksander Kwiatkowski

190-198

published: 2002-12-31

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Iceland’s Film Today: The Profile of Fridrik Thór Fridriksson

Jolanta Sowińska-Gogacz

199-224

published: 2002-12-31

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To Trust Imagination: The Picture of Childhood in Lasse Hallström’s “My Life as a Dog” and Fridrik Thór Fridriksson’s “Movie Days”

Jadwiga Roskowska

225-232

published: 2002-12-31

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Reading Hamsun

On the Conference “Knut Hamsun (1859-1952): 50th Anniversary of Death”

Lech Sokół

234-235

published: 2002-12-31

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Hamsun, the Anti-Psychologist: Some Unconventional Reflections on Hamsun’s “Hunger”

Knut Brynhildsvoll

236-243

published: 2002-12-31

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“All of Us Are the Wanderers...”

Øystein Rottem

244-248

published: 2002-12-31

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The Polemics

The Reflection of Feminist Theories in Sweden’s Film Thought

Aleksander Kwiatkowski

249-254

published: 2002-12-31

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The Environs of Film

Puppet Theatre, Bauhaus, Richard Teschner, Cineforms: Some Remarks on Early Artistic Activity of Andrzej Pawłowski

Kamil Kopania

255-262

published: 2002-12-31

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The Eye and the Ear

Reading Between the Pictures

Marcin Giżycki

263-267

published: 2002-12-31

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Books

Everything Is a Spectacle

Tadeusz Szczepański

268-273

published: 2002-12-31

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Non-Fiction and Fiction

Aleksander Kwiatkowski

274-276

published: 2002-12-31

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The Charm but Also Sadness of Twilight

Andrzej Werner

277-280

published: 2002-12-31

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Before the Social Realism Was Proclaimed

Małgorzata Hendrykowska

281-284

published: 2002-12-31

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Documentation

Film in Poland 2001 (part I)

Beata Kosińska

286-366

published: 2002-12-31

PDF (Język polski)

Table of Contents in French

Teresa Rutkowska

372

published: 2002-12-31

PDF (Język polski)

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The project Publishing of “Kwartalnik Filmowy” in 2025 in paper version is financially supported by the Polish Film Institute under the operational program “Dissemination of film culture”. Agreement no. DUK.602.3.2025. Project duration: 2.01.2025-16.01.2026. The total funding value is PLN 26 000.

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The journal has been financially supported by the Ministry of Education and Science of the Republic of Poland under the “Development of scientific journals” program. Project name: Internationalization and improvement of the publishing quality of the journal “Kwartalnik Filmowy”. Agreement no. RCN/SN/0685/2021/1 of 15 December 2022. Project duration: 15.12.2022-14.12.2024. The total funding value: PLN 50 000; the total value of the project: PLN 50 000. The aim of the project was to raise the level of publishing and editing practices and to increase the international range of the journal Kwartalnik Filmowy.