Paul Morrisey: Warhol’s Right Hand
Abstract
Paul Morrisey was a particularly ambiguous figure within the context of his activities at Andy Warhol’s Factory. Raised in a traditional family, a declared conservatist he shot films bordering on pornography. Morrissey not only did not get involved in the hedonism of Factory patrons (his actors) but also criticized their life style. Being in the centre of Warhol’s „community” he was somehow the opposite of it. Giżycki reflects on the dissonance between Morrisey’s personality and production (especially the trilogy of Flesh, Trash and Heat) and its place in the tradition of avant-garde cinema.
Keywords:
Paul Morrissey, Andy Warhol, avant-garde cinemaReferences
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Authors
Marcin Giżyckikwartalnik.filmowy@ispan.pl
Rhode Island School of Design United States
Krytyk i historyk sztuki, autor książek z dziedziny historii filmu i zjawisk kultury artystycznej. Wykładowca w Rhode Island School of Design w USA. Prorektor w Warszawskiej Wyższej Szkole Sztuk Audiowizualnych i Nowych Mediów. Opublikował ostatnio Słownik kierunków, ruchów i kluczowych pojęć sztuki drugiej połowy XX wieku, slowo/obraz terytoria (2002).
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Copyright (c) 2003 Marcin Giżycki
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