Is It Possible to Identify Who Was the King of Laughter?: Notes on Film Reception Studies in Interwar Poland
Wojciech Świdziński
woyciesz@gmail.comThe Aleksander Zelwerowicz National Academy of Dramatic Art (Poland)
https://orcid.org/0000-0001-6840-4069
Abstract
The article undertakes to verify a claim from Wojciech Świdziński’s book Co było grane? Film zagraniczny w Polsce w latach 1918-1929 na przykładzie Warszawy [What Was on Screens?: Foreign Movies in Poland 1918-1929. A Case Study of Warsaw] (2015), according to which the now-forgotten Danish comedians Pat and Patachon enjoyed greater popularity in interwar Poland than Charlie Chaplin himself. This pretext is used to consider the validity of using quantitative data in research on Polish cinema before 1939, especially on film reception. The author lists the problems accompanying the collection, aggregation, and analysis of numerical data, such as latent variables, data gaps, and incoherence. Next, he presents detailed data on the presence of films featuring Chaplin and Pat and Patachon in the cinemas of Warsaw, Kraków, and Białystok between 1925 and 1928. The analysis partly confirms the thesis posited earlier. However, it is difficult to see this as a conclusive argument in favour of the absolute effectiveness of quantitative research on cinema history. In the author’s opinion, it makes sense insofar as it is part of a possibly broad, contextual analysis of the phenomena under study.
Keywords:
quantitative methods, film reception, silent film, Charlie Chaplin, Pat and PatachonReferences
Dąbrowska, M. (1988). Dzienniki 1914-1932 (wyb., wstęp, przyp. T. Drewnowski). Warszawa: Czytelnik.
Google Scholar
Dyer, R., McDonald, P. (1998). Stars. London: British Film Institute.
DOI: https://doi.org/10.5040/9781838710934
Google Scholar
Garncarz, J. (2022). Zmienność upodobań. O preferencjach filmowych Europejczyków w latach 1896-1939 (tłum. A. Dębski). Wrocław: Centrum Studiów Niemieckich i Europejskich im. Willy’ego Brandta Uniwersytetu Wrocławskiego.
Google Scholar
Lewicki, A. (2014). Analiza box office’ów jako narzędzie badań filmoznawczych. Kwartalnik Filmowy, (85), ss. 118-132. https://doi.org/10.36744/kf.2459
DOI: https://doi.org/10.36744/kf.2459
Google Scholar
Łapińska, A. (2000). Kina białostockie w okresie międzywojennym. W: C. Kuklo (red.), Białystok w 80-leciu. W rocznicę odzyskania niepodległości: 19 luty 1919-19 luty 1999 (ss. 113-131). Białystok: Wydawnictwo Uniwersytetu w Białymstoku.
Google Scholar
Sedgwick, J. (2022). Managing Risk in the Film Business: Key Concepts and Methods. W: J. Sedgwick (red.), Towards a Comparative Economic History of Cinema, 1930-1970 (ss. 19-44). Cham: Springer.
DOI: https://doi.org/10.1007/978-3-031-05770-0_2
Google Scholar
Sitkiewicz, P. (2022). Badanie doświadczeń widowni, której nie ma. Wyzwanie metodologiczne. Images, (41), ss. 183-197. https://doi.org/10.14746/i.2022.41.11
DOI: https://doi.org/10.14746/i.2022.41.11
Google Scholar
Świdziński, W. (2015). Co było grane? Film zagraniczny w Polsce w latach 1918-1929 na przykładzie Warszawy. Warszawa: Instytut Sztuki PAN.
Google Scholar
Wyszyński, Z. (1975). Filmowy Kraków 1896-1971. Kraków: WL.
Google Scholar
Authors
Wojciech Świdzińskiwoyciesz@gmail.com
The Aleksander Zelwerowicz National Academy of Dramatic Art Poland
https://orcid.org/0000-0001-6840-4069
PhD in Humanities; theatre and film scholar. Lecturer at the National Academy of Dramatic Art in Warsaw (since 2024, Dean of the Faculty of Theatre Studies), member of the Polish Society for Film and Media Studies. He published the book Co było grane? Film zagraniczny w Polsce w latach 1918-1929 na przykładzie Warszawy [What Was on Screens?: Foreign Movies in Poland 1918-1929. A Case Study of Warsaw] (2015). He is also the author of an academic study of Andrzej Włast’s collection of movie columns. He published scientific and popular science articles in Kwartalnik Filmowy, Ekrany, Pleograf, and Stolica.
Statistics
Abstract views: 89PDF downloads: 78
License
Copyright (c) 2024 Wojciech Świdziński
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Wojciech Świdziński, The Backstage Film as a Genre and as a Social Mirror , Kwartalnik Filmowy: No. 116 (2021): Cinema and Social Identity
- Wojciech Świdziński, Benshi in “Yoseba” or Following Other Shadows , Kwartalnik Filmowy: No. 116 (2021): Cinema and Social Identity
- Wojciech Świdziński, Description of Customs of the Regulars of the Film Atlantis , Kwartalnik Filmowy: No. 111 (2020): Senses and Affects
- Wojciech Świdziński, Changing Preferences: A Change of Perspective , Kwartalnik Filmowy: No. 121 (2023): Cinema and Young Audience
- Wojciech Świdziński, Comedians and Comics: The Second Life of the Interwar Film Stars , Kwartalnik Filmowy: No. 125 (2024): Cinema as a Memory Machine
- Wojciech Świdziński, Make Yourself a Universe, or Anatomy of the Contemporary Comic Book Film , Kwartalnik Filmowy: No. 101-102 (2018): European Cinema of 21st Century
- Wojciech Świdziński, Where the Wind Blows From: Western Inspirations in the Work of Miyazaki Hayao , Kwartalnik Filmowy: No. 91 (2015): Film Between Pop Music and Pop Culture
- Wojciech Świdziński, “The Tenth Muse (Impressions)”: Andrzej Włast’s Columns on Film From the Period of 1923-1924 , Kwartalnik Filmowy: No. 86 (2014): Dimensions of Time