We Are All Migrants
Abstract
The article is a review of the book by Paweł Mościcki Migawki z tradycji uciśnionych [Images from the Tradition of the Oppressed] (2017), devoted to experimental and alternative art, the authors of which address the issue of migration and refugees. Fiuk draws attention to the merits of the publication, referring both to the choice of the theme and the formula of its presentation, and also points out - in places in detail - examples of film, photographic and poetic works which are mentioned. At the same time, she questions some of the interpretative clues that Mościcki follows, and lists examples of Eurocentric works of art created about refugees and an Eurocentric view of them, which - in her opinion - the author of the book and some artists cited adopt.
Keywords:
Paweł Mościcki, refugrees, imigrantsReferences
P. Mościcki, Migawki z tradycji uciśnionych, Instytut Wydawniczy Książka i Prasa, Teatr Polski im. Hieronima Konieczki w Bydgoszczy, Warszawa – Bydgoszcz 2017.
Google Scholar
Authors
Ewa Fiukkwartalnik.filmowy@ispan.pl
independent researcher Poland
Filmoznawczyni, autorka książek Inicjacje, tożsamość, pamięć. Kino niemieckie na przełomie wieków (2012) oraz Obrazo-światy, dźwięko-przestrzenie. Kino Toma Tykwera (2016), jak również artykułów dotyczących filmu i kina (publikowała m.in. w „Kulturze Popularnej”, „Kwartalniku Filmowym”, „Kinie” oraz tomach zbiorowych). Autorka przekładów z języka niemieckiego i polskiego. Zainteresowania naukowe: film niemiecki i europejski, antropologia filmu, analiza filmu. Obecnie przygotowuje autorską publikację dotyczącą kina transnarodowego, postkolonialnego, podejmującego temat (post)migracji.
Statistics
Abstract views: 54PDF downloads: 21
License
Copyright (c) 2018 Ewa Fiuk
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Ewa Fiuk, Transgression and Discrimination: Artificial Women in Science-Fiction Cinema , Kwartalnik Filmowy: No. 110 (2020): Beyond Human Being
- Ewa Fiuk, The Ennobling Cinema of the Peripheries , Kwartalnik Filmowy: No. 112 (2020): Polish Documentary, Polish Animation
- Ewa Fiuk, A Guinean on Alexanderplatz, or the Possibility of Contesting the Dominant Narrative , Kwartalnik Filmowy: No. 114 (2021): Contamination, Dirt, Flaw
- Ewa Fiuk, Spaces of Migration. The Case of German Cinema , Kwartalnik Filmowy: No. 107 (2019): Journey, (E)migration, Pilgrimage
- Ewa Fiuk, A Shot from the Inside of Things: The Case of “Purple Sea” by Amel Alzakout and Khaled Abdulwahed , Kwartalnik Filmowy: No. 118 (2022): One Take
- Ewa Fiuk, Four Film Histories with the City in the Background. On the Berlin Face of Transformation in German Cinema , Kwartalnik Filmowy: No. 105-106 (2019): Cinema and Political Transformation
- Ewa Fiuk, Presumed Innocence , Kwartalnik Filmowy: No. 105-106 (2019): Cinema and Political Transformation
- Ewa Fiuk, “Berlin School” – Postulate of the Film as an Art, or “The Longing for Saving the Story” , Kwartalnik Filmowy: No. 101-102 (2018): European Cinema of 21st Century
- Ewa Fiuk, Melange of History, Politics and Lyricism - A Contribution to the Analysis of Alexander Kluge’s “Patriot” , Kwartalnik Filmowy: No. 104 (2018): Essay, Found Footage, Compilation Film
- Ewa Fiuk, Table of Contents , Kwartalnik Filmowy: No. 125 (2024): Cinema as a Memory Machine
