The America of Wim Wenders
Abstract
Giżycki analyses Wenders’s films from the point of view of the director’s fascination with America. None of European film makers has made so many films on America that would be regarded, if not formally European, as such. But as it will turn out later it is not uncritical adoration. And it is not a reciprocal love. Giżycki accentuates Wenders’s disillusionment with America caused by a clash between the director’s vision and a genuine America, between reality and myth. The myth taken from the cinema Wenders has cited in his film art with gusto and nostalgia.
Keywords:
Wim Wenders, Hollywood, European cinemaReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Marcin Giżyckikwartalnik.filmowy@ispan.pl
Rhode Island School of Design United States
Krytyk i historyk sztuki, autor książek z dziedziny historii filmu i zjawisk kultury artystycznej. Wykładowca w Rhode Island School of Design w USA. Opublikował m in. Nie tylko Disney - rzecz, o kinie animowanym (2000), Koniec i co dalej ? (2001), Słownik kierunków, ruchów i kluczowych pojęć sztuki drugiej połowy XX wieku (2002).
Statistics
Abstract views: 1939PDF downloads: 281
License
Copyright (c) 2005 Marcin Giżycki

This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Marcin Giżycki, The Rebellious Eye , Kwartalnik Filmowy: No. 111 (2020): Senses and Affects
- Marcin Giżycki, The Cinema of Anecdote and the Cinema of Image , Kwartalnik Filmowy: No. 64 (2008): Film Image, Image in Film (part I)
- Marcin Giżycki, Unmade Masterpiece, Which Transformed the Cinema , Kwartalnik Filmowy: No. 89-90 (2015): Redefinitions of the Classics
- Marcin Giżycki, Cinemaniacs, Pedants and the Secrets of Memory , Kwartalnik Filmowy: No. 96 (2016): Film and Metaphysics
- Marcin Giżycki, The Artist Who Reconciled Two Opposites: Nam June Paik (1932-2006) , Kwartalnik Filmowy: No. 53 (2006): British Cinema (part II)
- Marcin Giżycki, The End of the Cinema or the End of Culture? , Kwartalnik Filmowy: No. 35-36 (2001): Cinema and New Media
- Marcin Giżycki, Morel’s Trap, or the Cinematograph of Immortality , Kwartalnik Filmowy: No. 85 (2014): Film and Media – the Past and the Future
- Marcin Giżycki, Thus Spoke the Artist , Kwartalnik Filmowy: No. 104 (2018): Essay, Found Footage, Compilation Film
- Marcin Giżycki, Hedy and George – Music, Cinema, Scandals and Torpedoes , Kwartalnik Filmowy: No. 91 (2015): Film Between Pop Music and Pop Culture
- Marcin Giżycki, Watchmakers, Automata and the Cinema , Kwartalnik Filmowy: No. 87-88 (2014): Film and Theatre


