Cinema, Mobile Phone, Customs
Abstract
Giżycki outlines a brief history of wireless telecommunications (dating back to shortly after WW2), to come to the conclusion that the frantic pace of the growth of wireless business translates interestingly into social facts, but also penetrates into the sphere of cinematic imagery. The mobile phone revolution and the rise of the ”culture of mobile phones” has resulted in the emergence of new behaviour patterns (cell phone conversation in front of other people), that are very interesting from the sociological point of view. Attempts to introduce new mobile etiquette among users have also been made. In his concluding remarks Giżycki cites J. P. Roos (one of the first to have researched the social impact of mobile phone culture) as observing that this invention is an object that perfectly embodies post-modernist contradictions, so to say is an icon of the time.
Keywords:
mobile phone, J. P. Roos, savoir-vivreReferences
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Authors
Marcin Giżyckikwartalnik.filmowy@ispan.pl
Rhode Island School of Design United States
Krytyk i historyk sztuki, autor książek z dziedziny historii filmu i zjawisk kultury artystycznej. Wykładowca w Rhode Island School of Design w USA. Opublikował m.in. Nie tylko Disney — rzecz o kinie animowanym (2000), Koniec i co dalej? (2001), Słownik kierunków, ruchów i kluczowych pojęc sztuki drugiej połowy XX wieku (2002), Wenders do domu (2006).
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Copyright (c) 2007 Marcin Giżycki
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In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
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