Reality TV – An Attempt at Analysis

Ewa Mazierska

kwartalnik.filmowy@ispan.pl
University of Central Lancashire (United Kingdom)

Abstract

Reality television is a new television genre but its many characteristic features can be identified in such programmes as quiz shows, talk-shows, soap operas and some documen­taries. The expansion of reality shows follows the „new television order”, or changes occurring in the area of European media. Some post-modernist features are also charac­teristic of the genre. In connection with this, Mazierska writes about such issues as intercontextuality, the role of author and the concept of simulacrum. Reality shows are a global phenomenon but they reflect the specific national character. Also discussed are ethical questions and the presence of the genre’ on public TV.



Keywords:

reality TV, postmodernism, simulacrum

Nie dotyczy / Not applicable
  Google Scholar


Published
2001-12-31

Cited by

Mazierska, E. (2001) “Reality TV – An Attempt at Analysis”, Kwartalnik Filmowy, (35-36), pp. 160–176. doi: 10.36744/kf.4126.

Authors

Ewa Mazierska 
kwartalnik.filmowy@ispan.pl
University of Central Lancashire United Kingdom

Filmoznawca, krytyk filmowy, wykłada na wy­dziale Historii Sztuki University of Central Lancashire w Preston (Wlk. Brytania). Autorka książek Peter Greenaway (1991), Jim Jarmush (1992), Człowiek wobec kultury — James Ivory i jego filmy (1999), Uwięzienie w teraźniejszości i inne postmodernistyczne stany. Twór­czość Wonga Kar-waia ( 1999).



Statistics

Abstract views: 0
PDF downloads: 0


License

Copyright (c) 2001 Ewa Mazierska

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.

In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.