Photography in India
Abstract
The times when you could think of searching the universal essence of photography are gone. It seems that every “invention”, including such a vital one as photography, has its local history. Christopher Pinney’s book Camera Indica is a perfect example of how the medium was used locally. This text is a review of the book.
Keywords:
photography, India, Christopher Pinney, reviewReferences
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Authors
Sławomir Sikorakwartalnik.filmowy@ispan.pl
University of Warsaw Poland
Adiunkt w Instytucie Etnologii i Antropologii Kulturowej (UW), autor książki Fotografia. Między dokumentem a symbolem (2004). Publikował m. in. w „Kontekstach”, „Kwartalniku Filmowym”, „Czasie Kultury”, „Roczniku Historii Sztuki”, „Dialogu”, „Latarniku”.
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Copyright (c) 2005 Sławomir Sikora
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In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
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