Through the Other’s Eyes: Between Science and Social Practice
Abstract
In the 20’s of the last century Bronisław Malinowski wrote that the aim and ambition of the anthropologist should be “to grasp the natives’ point of view, his relation to life, to realize his vision of his world.” The first serious study which tried to embody that postulate was a project of S. Worth and J. Adair described in their book Through Navajo Eyes (1972). Referring to this study the author analyses a few contemporary examples of films taken from outside of the discipline which use “natives” perspective as a model. He concentrates on Born into Brothels (Z. Briski, R. Kauffman, 2004), Kits (2007, dir. B. Dzianowicz) and Un autre regard (2007, M. Latałło).
Keywords:
Bronisław Malinowski, anthropology, OtherReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Sławomir Sikorakwartalnik.filmowy@ispan.pl
University of Warsaw Poland
Adiunkt w Instytucie Etnologii i Antropologii Kulturowej (UW), Autor książki Fotografia. Miedzy dokumentem a symbolem (2004). Publikował m. in. w „Kontekstach”, „Kwartalniku Filmowym”, „Czasie Kultury”, „Roczniku Historii Sztuki”, „Dialogu”, „Latarniku”.
Statistics
Abstract views: 0PDF downloads: 0
License
Copyright (c) 2008 Sławomir Sikora

This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Sławomir Sikora, “Nie sądzić” and “Wielki strach”: Two Short but Important Films , Kwartalnik Filmowy: No. 112 (2020): Polish Documentary, Polish Animation
- Sławomir Sikora, Beyond Form and Content: Towards Materiality , Kwartalnik Filmowy: No. 115 (2021): Form Film, Content Film
- Sławomir Sikora, Rouch and His Gang on the Paths of Decolonization , Kwartalnik Filmowy: No. 128 (2024): Decolonizing Film Discourses
- Sławomir Sikora, Michael Haneke’s “Love” From Another Angle: Aporia of Corporeality , Kwartalnik Filmowy: No. 83-84 (2013): Body in Film
- Sławomir Sikora, Michael Haneke’s “Cache” (“Hidden”) as an Experimental Performative “Documentary” , Kwartalnik Filmowy: No. 82 (2013): Experiment: Film and Audiovisual Arts
- Sławomir Sikora, Avant-Garde and Tradition in the Shadow of Terrorism: Transcultural Cinema of Leonard Retel Helmrich , Kwartalnik Filmowy: No. 70 (2010): Avant-Garde and Film
- Sławomir Sikora, Coloured Threads: “The Stitches Speak” , Kwartalnik Filmowy: No. 74 (2011): Film Objects
- Sławomir Sikora, Polish Wedding AD 1968 With a Gray Man in the Background: Performing History in “Hear My Cry” , Kwartalnik Filmowy: No. 100 (2017): On Celebrating
- Sławomir Sikora, Living Memorials: Memory and Forgetting in the Film “Gyumri” , Kwartalnik Filmowy: No. 69 (2010): History in Film
- Sławomir Sikora, Dennis O’Rourke’s “Cannibal Tours” – Does Observational Film Need to Be Realistic? , Kwartalnik Filmowy: No. 75-76 (2011): Faces of Reality