Journey Through Humanity
Abstract
Szczepański reviews a book by Łucja Demby The harmony of the world. Nikita Mikhalkov’s work in film (2009). This pioneering monograph is a truly original book. This is also an excellent example of aesthetic sensitivity and writing talent that is rarely found in film literature. Demby’s monograph is impressive in terms of its methodological consequence and rigorous coherence of her research perspective. Szczepański points out, that on top of detailed reconstruction of Mikhalkov’s ideology as an artist, Demby attempts to present the director’s individual stylistics. He also points out, that Demby gives a true show of her erudition when dealing with the music that is used in Mikhalkov’s films. Szczepański concludes that this exceptional monograph should be translated and promoted abroad, particularly in Russia.
Keywords:
Łucja Demby, review, Nikita MikhalkovReferences
Demby Łucja, Harmonia świata. Twórczość filmowa Nikity Michałkowa, Rabid, Kraków 2009.
Google Scholar
Authors
Tadeusz Szczepańskikwartalnik.filmowy@ispan.pl
University of Wrocław Poland
Historyk filmu, krytyk i tłumacz, profesor Uniwersytetu Wrocławskiego i PWSFTviT w Łodzi. Opublikował m.in. Eisenstein. U źródeł twórczości (1986), Zwierciadło Bergmana (1997, 1999, 2002, 2007), Jan Troell (2009), Eisenstein - artysta i myśliciel (1982, współred.), Zbigniew Cybulski - aktor XX wieku (1997, współred.), Cudowny Kinemo. Rosyjska myśl filmowa (2002, współ- red.) i Biografistyka filmowa. Ekranowe interpretacje losów i faktów (2007, współred.). Laureat nagród: „Laterna magica” Przewodniczącego Komitetu Kinematografii, „Kina” im. Bolesława Michałka, Polskiej Akademii Nauk i Prezydenta Miasta Gdańska. Znawca kina skandynawskiego i rosyjskiego.
Statistics
Abstract views: 17PDF downloads: 6
License
Copyright (c) 2011 Tadeusz Szczepański

This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Tadeusz Szczepański, “To See Clearly in Delight” , Kwartalnik Filmowy: No. 113 (2021): Film and Technology
- Tadeusz Szczepański, 1500 Pages on 120 Years of Polish Documentary Film , Kwartalnik Filmowy: No. 97-98 (2017): Wandering Motifs
- Tadeusz Szczepański, On the Borderland Within Auto/Biography: Suzanne Osten’s “Mamma” , Kwartalnik Filmowy: No. 73 (2011): Cinema is Me: Cinematic Autobiographies