The Picture Should Extend Beyond the Frame: The Structure of “Mis en Abyme” in the Play “Cyrano de Bergerac” by Edmond Rostand and the Spectacle by Denis Podalydès
Abstract
The author analyses the spectacle, played since 2006 in the Comédie Française (with the participation of Andrzej Seweryn) and discusses the so called structure of mis en abyme (mirror effects, self-regarding) in Edmond Rostand’s Cyrano de Bergerac. The structure artfully repeated on various planes of the piece can be seen in the drama itself. In Denis Podalydès’ spectacle (inspired by Jean-Paul Rappeneau’s film Cyrano de Bergerac) it gained an extra dimension by placing a screen above the stage and by references to the conventions of the silent film. Łucja Demby analyses the spatial and semantic relations which theatre and film enter through this procedure, and stresses that these two plays are two different aspects of presentation. In conclusion, the author refers to Michel Foucault’s reflections on “the presentation of performance” with respect to the image of Velazquez’s Las Meninas.
Keywords:
Comédie Française, mis en abyme, Edmond Rostand, Denis Podalydès, Michel FoucaultReferences
Assouline, Pierre. Cyrano de Podalydès, http://passouline.blog.lemonde.fr/2006/06/08/2006_06_cyrano_de_podal/
Google Scholar
Bourgeois, Jean. „Cyrano de Bergerac” d’Edmond Rostand : le théâtre dans le théâtre www.cairn.info/revue-d-histoire-litteraire-de-la-france-2008-3-page-607.htm
DOI: https://doi.org/10.3917/rhlf.083.0607
Google Scholar
„Cyrano de Bergerac” Edmonda Rostanda w Polsce, http://www.cyranodebergerac.prv.pl
Google Scholar
Dällenbach, Lucien. 1977. Le récit spéculaire. Paris: Seuil.
Google Scholar
Foucault, Michel. 2000. Słowa i rzeczy. Archeologia nauk humanistycznych. Tłum. A. Tatarkiewicz. Gdańsk:Słowo/obraz terytoria.
Google Scholar
Lanson, Gustave, Paul Tuffrau. 1971. Historia literatury francuskiej w zarysie. Tłum. W. Bieńkowska. Warszawa: PWN.
Google Scholar
Margerie, Caroline de. 1997. Edmond Rostand ou le baiser de la gloire. Paris:Bernard Grasset.
Google Scholar
Metz, Christian. 1968. Essais sur la signification au cinéma, t. I. Paris: Ed. Klincksieck.
Google Scholar
Ortega y Gasset, José. 1980. Dehumanizacja sztuki i inne eseje. Tłum. P. Niklewicz. Warszawa: Czytelnik.
Google Scholar
Rostand, Edmond. 1898. Cyrano de Bergerac. Komedia bohaterska w pięciu aktach. Tłum. M. Konopnicka i W. Zagórski. Warszawa: Nakładem Redakcji „Gazety Polskiej”.
Google Scholar
Peyrade, Pauline. Cyrano de Bergerac – Denis Podalydès, http://drama-clic.blogspot.com/2007/09/cyrano-de-bergerac-denis-podalyds-2007.html.
Google Scholar
Authors
Łucja Dembykwartalnik.filmowy@ispan.pl
Jagiellonian University Poland
Dr hab., adiunkt w Instytucie Sztuk Audiowizualnych Uniwersytetu Jagiellońskiego. Studiowała filmoznawstwo i teatrologię na Uniwersytecie Jagiellońskim. Doktorat z zakresu francuskiej teorii filmu: Poza rzeczywistością. Spór o wrażenie realności w historii francuskiej myśli filmowej (2002); habilitacja – monografia Harmonia świata. Twórczość filmowa Nikity Michałkowa (2009). W swoim dorobku ma publikacje z zakresu teorii i analizy filmu, analizy i recenzje spektakli teatralnych oraz tłumaczenia z języka francuskiego.
Statistics
Abstract views: 56PDF downloads: 38
License
Copyright (c) 2014 Łucja Demby
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Łucja Demby, Remote Cinema. The Loneliness of the Spectator in Relation to the Sensuous Nature of Film Reception , Kwartalnik Filmowy: No. 111 (2020): Senses and Affects
- Łucja Demby, A Scapegoat and a Flawless Man: The Dreyfus Affair in Roman Polański’s Film “An Officer and a Spy” and Selected Problems of Its Reception , Kwartalnik Filmowy: No. 114 (2021): Contamination, Dirt, Flaw
- Łucja Demby, Wide-Angle Cinephilia: Selected Aspects of the “New Cinephilia” in French Texts – Diagnoses and Definitions , Kwartalnik Filmowy: No. 120 (2022): Film Culture
