The Artist in a Haunted House: Jeremy Blake and the Winchester Mystery House
Marcin Giżycki
kwartalnik.filmowy@ispan.plPolish-Japanese Academy of Information Technology (Poland)
Abstract
This year marks the tenth anniversary of the death of New York artists Jeremy Blake and Theresa Duncan, who committed suicide within one week of each other in July 2007. She had a well-received animated film in her output. He was a rising star of video art, and his most important work was the Winchester trilogy, inspired by the mysterious Winchester Mystery House in San Jose, California, and the life of its creator Sarah Winchester, the heiress of fortune coming from the production of rifles well known from western films. According to legend, Ms. Winchester built this house in order to appease the spirits of Native Americans killed by Winchester rifles during the conquest of the Wild West. Despite success, Blake and his partner became paranoid, and their art did not offer them a refuge from evil powers.
Keywords:
Jeremy Blake, Theresa Duncan, video artReferences
Blake, J. Plates: Winchester. W: B. Weil, M. Schwarzer, J. Blake. Jeremy Blake Winchester, katalog wystawy w San Francisco Museum of Modern Art. San Francisco 2005.
Google Scholar
Fleming, M. “Van Sant, Ellis team up”. Daily Variety 8 (2009).
Google Scholar
Gus van Sant and Bret Easton Ellis join forces on film. The Guardian 15.10.2009
Google Scholar
Ignoffo, M. J. Captive of the Labyrinth: Sarah L. Winchester, Heiress to the Rifle Fortune. Columbia, 2010.
Google Scholar
Monk, Ph. Spirit Hunter: The Haunting of American Culture by Myths of Violence: Speculations on Jeremy Blake's Winchester Trilogy. Toronto, 2005.
Google Scholar
Schwarzer, M. How the West Was Won. W: B. Weil, M. Schwarzer, J. Blake. Jeremy Blake Winchester, katalog wystawy w San Francisco Museum of Modern Art. San Francisco 2005.
Google Scholar
Authors
Marcin Giżyckikwartalnik.filmowy@ispan.pl
Polish-Japanese Academy of Information Technology Poland
Krytyk i historyk sztuki; autor książek z dziedziny historii filmu i zjawisk kultury artystycznej. Wykładowca w Rhode Island School of Design w USA, profesor w Polsko-Japońskiej Akademii Technik Komputerowych w Warszawie. Opublikował m.in. Nie tylko Disney - rzecz o kinie animowanym (2000), Koniec i co dalej? (2001), Słownik kierunków, ruchów i kluczowych pojęć sztuki drugiej połowy XX wieku (2002), Wenders do domu! Europejskie filmy o Ameryce i ich recepcja w Stanach Zjednoczonych (2006).
Statistics
Abstract views: 50PDF downloads: 21
License
Copyright (c) 2017 Marcin Giżycki
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Marcin Giżycki, Hedy and George – Music, Cinema, Scandals and Torpedoes , Kwartalnik Filmowy: No. 91 (2015): Film Between Pop Music and Pop Culture
- Marcin Giżycki, Judy Chicago’s Last Supper , Kwartalnik Filmowy: No. 100 (2017): On Celebrating
- Marcin Giżycki, On the Occasion of the Jubilee , Kwartalnik Filmowy: No. 100 (2017): On Celebrating
- Marcin Giżycki, Motol Blues , Kwartalnik Filmowy: No. 103 (2018): Young Polish Cinema – Confrontation of Generations
- Marcin Giżycki, Sgt. Pepper’s Lonely Hearts Club Band on the Yellow Submarine: The Record and the Film That Changed Pop Culture , Kwartalnik Filmowy: No. 99 (2017): Tricks, Special Numbers, Attractions
- Marcin Giżycki, Cinemaniacs, Pedants and the Secrets of Memory , Kwartalnik Filmowy: No. 96 (2016): Film and Metaphysics
- Marcin Giżycki, Unmade Masterpiece, Which Transformed the Cinema , Kwartalnik Filmowy: No. 89-90 (2015): Redefinitions of the Classics
- Marcin Giżycki, Watchmakers, Automata and the Cinema , Kwartalnik Filmowy: No. 87-88 (2014): Film and Theatre
- Marcin Giżycki, Morel’s Trap, or the Cinematograph of Immortality , Kwartalnik Filmowy: No. 85 (2014): Film and Media – the Past and the Future