Chińska awangarda filmowa i jej konteksty

Berman Marshall, All That is Solid Melt into Air, Verso Book, New York 1998.
  Google Scholar

Berry Chris, Mary Ann Farquhar, From Post-socialist Strategies: An Analysis of „Yelllow Earth: and „Black Cannon Incident”, w: H. H. Kuoshu, Celluloid China, Cinematic Encounters with Culture and Society, Carbondale and Southern Illinois University Press, Edwardsville 2002.
  Google Scholar

Chen Kaige, Historical Revolution and Cinematic Rebellion, w: M. Berry, Speaking in Images. Interviews with Contemporary Chinese Filmmakers, Columbia University Press, New York 2005, s. 90.
  Google Scholar

Dirlik Arifa, Post-socialism? Reflections on „Socialism with Chinese characteristics, w: Marxism and Chinese Experience, red. A. Dirlik, M. Meisner, Sharpe, Armouk 1989.
DOI: https://doi.org/10.1080/14672715.1989.10413190   Google Scholar

Farquhar Mary Ann, The „Hidden” Gender in „Yellow Earth”, w: H. H. Kuoshu, Celluloid China, Cinematic Encounters with Culture and Society, Carbondale and Southern Illinois University Press, Edwardsville 2002, s. 230.
  Google Scholar

Helman Alicja, Etnograficzne kino Tiana Zhuangzhuanga, „Kwartalnik Filmowy” 2008, nr 62-63.
  Google Scholar

Jinhua Dai, Rethinking the Cultural History of Chinese Cinema, w: Cinema and Desire. Feminist Marxism and Cultural Politics in the Work of Dai Jinhua, red. Jing Wang, Tani E. Barlow, Verso, London, New York 2002, s. 239.
  Google Scholar

Jullien François, Drogą okrężną i wprost do celu. Strategie sensu w Chinach i Grecji, tłum. M. Falski, Wydawnictwo UJ, Kraków 2006.
  Google Scholar

Kluszczyński Ryszard, Film − sztuka Wielkiej Awangardy, PWN, Warszawa − Łódź 1990, s. 9.
  Google Scholar

Kuoshu Harry H., Celluloid China, Cinematic Encounters with Culture and Society, Carbondale and Southern Illinois University Press, Edwardsville 2002, s. 215, 221.
  Google Scholar

Lau Frederick, Music in China. Experiencing Music, Expressing Culture, Oxford University Press, New York−Oxford 2008, s. 99-100.
  Google Scholar

Łabędzka Izabella, Teatr niepokorny, Wydawnictwo Naukowe PWN, Poznań 2003, s. 64.
  Google Scholar

Mujun Shao, The Road of Innovation in Chinese Ciemna, w: Chinese Film Theory. A Guide to the New Era, red. G. S. Semsel, Xia Hong, Hou Jianping, Praeger, New York, London 1990.
  Google Scholar

Pickowicz Paul G., Huang Jianxin and the Notion of Postsocialism, w: New Chinese Cinemas. Forms, Identities, Politics, red. N. Browne, P. G. Pickowicz, V. Sobchack, E. Yan, Cambridge University Press, New York 1996.
  Google Scholar

Silbergeld Jerome, China into Film. Frames of Reference in Contemporary Chinese Cinema, Reaktion Book, London 1999.
  Google Scholar

Silbergeld Jerome, Dzieci melodramatu, tłum. T. Rutkowska, „Kwartalnik Filmowy” 2005, nr 51, s. 7, 11-13.
  Google Scholar

Smith Karen, Nine Lives. The Birth of Avant-Garde Art in New China, Sealoverlag AG, Zurich 2000, s. 21-22.
  Google Scholar

Szmyt Monika, Współczesna sztuka chińska. Tradycja klasyczna, socrealizm, estetyka zachodnia, Zakład Wydawniczy Nomos, Kraków 2007, s. 61, 92-93.
  Google Scholar

Tam Kwok-Kan, Cinema and Zhang Yimou, w: Zhang Yimou Interviews, red. F. Gateward, University Press of Mississippi, Jackson 2001, s. 104.
  Google Scholar

Tang Xiaobing, Residual Modernism: Narratives of the Self in the 1980, w: Chinese Modern: The Heroic and the Quatidian, Duke University Press, Durham 2000, s. 199, s. 223-224.
  Google Scholar

Wen-Chung Chou, Asian Concepts and Twentieth-century Composers, „Musical Quarterly” 1971, vol. LVII, nr 2.
DOI: https://doi.org/10.1093/mq/LVII.2.211   Google Scholar

Williams Raymond, When was Modernism?, w: Williams Raymond, The Politics of Modernism Against the New Conformists, Verso, London 1989, s. 33.
  Google Scholar

Zhang Xudong, Chinese Modernism in the Era of Reforms. Cultural Fever, Avant-Garde Fiction and the New Chinese Cinema, Duke University Press, Durham, London 1997, s. 3, 5, 130, 151, 153-154, 209, 228, 230-231.
  Google Scholar

Zhang Yingjin, Chinese National Cinema, Routlgedge, New York, London 2004.
DOI: https://doi.org/10.4324/9780203645833   Google Scholar

Zhen Ni, Memoirs from the Beijing Film Academy the Genesis of China’s Fifth Generation, Duke University Press, Durham, London 2002, s. 166, 172.
DOI: https://doi.org/10.2307/j.ctv113160j   Google Scholar