The Mediological Tour of the World of Pictures
Abstract
Zawojski reviews the book Technology of Vision, or Media in Search of the Author: Wim Wenders by known film theoretician and media expert Andrzej Gwóźdź. But Gwóźdź, however, is not an ordinary monographer. As for the film director his cinema is the starting point for broader reflection on the meaning and function of film in general, for the book author the oeuvre of Wenders becomes a pretext for a look at „the philosophy of the media” from a much broader and post-modern perspective.
Keywords:
Andrzej Gwóźdź, Wim Wenders, reviewReferences
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Authors
Piotr Zawojskikwartalnik.filmowy@ispan.pl
University of Silesia Poland
Wykłada zagadnienia teorii i historii kina, telewizji, komunikowania i nowych mediów w Zakładzie Filmoznawstwa i Wiedzy o Mediach US i na Wydziale Radia i Telewizji US. Obecnie szczególnie interesuje się problematyką wykorzystania mediów elektronicznych w sztuce i zagadnieniami cyberkultury. Opublikował kilkadziesiąt prac naukowych m. in. książkę Elektroniczne obrazy oświaty. Między sztuką a technologią (2000). Zajmuje się również krytyką i eseistyką poświęconą kulturze audiowizualnej i cyberkulturze. Publikuje w „Ekranie”, „Kinie”, „Fa-Arcie”, „Śląsku”, „ArtPapierze”. Kieruje działem filmu i mediów w kwartalniku „Opcje”.
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Copyright (c) 2005 Piotr Zawojski
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