Film Images of Androgyny – Androgyny of Film Image

Paulina Kwiatkowska

kwartalnik.filmowy@ispan.pl
University of Warsaw (Poland)

Abstract

A book review of Karolina Kosińska’s Androgyn. Tożsamość, tęsknota, pragnienie. Postać androgyniczna w brytyjskiej kulturze popularnej i filmie lat 70. [The androgyne. Identity, longing and de­sire. The androgynous figure in British pop culture and film of the 1970s] (2014). The book is a fascinating attempt at examining not only a specific phenomenon in the context of history of culture and film, but also misconceptions associated with androgyny. The author of the book focuses on the analysis of four films: Performance (1970) by Donald Cammell and Nicolas Roeg, The Man Who Fell to Earth (1976) by Nicolas Roeg, Jim Sharman’s The Rocky Horror Picture Show (1975) and Velvet Goldmine (1998) by Todd Haynes. The insightful analysis, full of references and contexts, is also an excuse for an incredibly inspiring reflection on the ambivalent and unstable category of androgyny. According to Kosińska androgyne ceases to be just one of many recurring themes in culture over the centuries and becomes a way of challenging the very foundations of Western culture based on the conviction that basic dichotomies female – male, surface – depth, margin – center, are insurmountable.


Keywords:

Karolina Kosińska, androgyny, British cinema, gender

Kosińska, K., Androgyn. Tożsamość, tęsknota, pragnienie. Postać androgyniczna w brytyjskiej kulturze popularnej i filmie lat 70., Instytut Sztuki Polskiej Akademii Nauk, Warszawa 2014.
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Published
2015-09-30

Cited by

Kwiatkowska, P. (2015) “Film Images of Androgyny – Androgyny of Film Image”, Kwartalnik Filmowy, (91), pp. 221–226. doi: 10.36744/kf.2298.

Authors

Paulina Kwiatkowska 
kwartalnik.filmowy@ispan.pl
University of Warsaw Poland

Wykłada w Instytucie Kultury Polskiej UW oraz w Warszawskiej Szkole Filmowej. Zajmuje się teorią i historią filmu, his­torią kultury polskiej i francuskiej oraz antropolo­gią kultury wizualnej. Współredagowała antologię Antropologia kultury wizualnej (2012) oraz tom Nie chcę spać sam. Kino Tsai Ming-lianga (2009); wydała książkę Somatografia. Ciało w obrazie filmowym (2011, wyd. rosyjskie 2014), przetłuma­czyła Rozmowy o Godardzie Kai Silverman i Haruna Farockiego (2015).



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Copyright (c) 2015 Paulina Kwiatkowska

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