Seweryn Kuśmierczyk’s Journey Into the Depths of Polish Cinema
Abstract
The text is a book review of Wyprawa bohatera w polskim filmie fabularnym [The Hero’s Expedition in Polish Feature Film] (2014) by Seweryn Kuśmierczyk. The author discusses in detail the idea of anthropological-morphological analysis proposed by the researcher, paying particular attention to the potential role of this concept in contemporary film studies. In the chapters devoted to masterpieces of Polish cinema Kuśmierczyk restores the importance of film analysis. He also shows how to read the rich and often less than obvious meanings contained in the audio-visual film form. The researcher does not stop at formalist decomposing of the works into primary elements. He links film techniques to anthropological categories. The method adopted by Kuśmierczyk can become, according to the reviewer, a starting point to further research on the field between film and cultural studies.
Keywords:
Polish cinema, Seweryn Kuśmierczyk, Joseph CampbellReferences
Seweryn Kuśmierczyk, Wyprawa bohatera w polskim filmie fabularnym, Czuły Barbarzyńca Press, Warszawa 2014.
Google Scholar
Authors
Robert Birkholckwartalnik.filmowy@ispan.pl
University of Warsaw Poland
Absolwent polonistyki i kulturoznawstwa na Uniwersytecie Warszawskim, doktorant w Zakładzie Komparatystyki tamże. Zajmuje się kategorią narracji w filmie i literaturze. Krytyk filmowy miesięcznika „Kino”. Publikował m.in. w „Roczniku Komparatystycznym”, na „Portalu Filmowym” oraz na stronie „Culture.pl”. Współpracuje z projektem Edukacja Filmowa. Współautor książki Antropologia postaci w dziele filmowym (2015). Członek Zespołu Badań nad Filmem w Zakładzie Filmu i Kultury Wizualnej w Instytucie Kultury Polskiej UW.
Statistics
Abstract views: 80PDF downloads: 32
License
Copyright (c) 2016 Robert Birkholc
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Robert Birkholc, Narration and Sensual Focalization in „Pod Mocnym Aniołem” by Wojciech Smarzowski. On the Adaptation of Jerzy Pilch’s Book , Kwartalnik Filmowy: No. 111 (2020): Senses and Affects
- Robert Birkholc, Contemporary Theories in Adaptation Studies: State of the Art and New Directions , Kwartalnik Filmowy: No. 119 (2022): (New) Film Theory
- Robert Birkholc, On a Postmodern Highway. „Natural Born Killers” Years Later , Kwartalnik Filmowy: No. 107 (2019): Journey, (E)migration, Pilgrimage
- Robert Birkholc, A Different Approach to the Language of the Cinema , Kwartalnik Filmowy: No. 107 (2019): Journey, (E)migration, Pilgrimage
- Robert Birkholc, Polish-Style Self-Reflexivity , Kwartalnik Filmowy: No. 119 (2022): (New) Film Theory