Etiuda&Anima Festival, or a Celebration of Film (From the Author’s Own Experience)
Bogusław Zmudziński
kwartalnik.filmowy@ispan.plAGH – University of Science and Technology in Kraków (Poland)
Abstract
The author of the text draws a picture of the evolution of the Etiuda International Film Festival, initiated by himself in 1994, an alternative festival dedicated to the creativity of film and art school students. During the last quarter of the century, the festival, which was created as a side event of the Short Film Festival in Krakow, has developed not only as an event promoting student work, but since 2005 also artistic animation from around the world (under the changed name Etiuda&Anima) and finally in 2017 through organization of the third, this time a national competition, Polish artistic animation. By sharing his own experiences, the author formulates the thesis on the possibility of implementing the idea of the festival as a celebration of film - an original project that accomplishes its tasks by organizing film competitions and promoting film culture as part of a rich program of accompanying events.
Keywords:
Etiuda&Anima, film festival, animationReferences
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Authors
Bogusław Zmudzińskikwartalnik.filmowy@ispan.pl
AGH – University of Science and Technology in Kraków Poland
Adiunkt na Wydziale Humanistycznym AGH - Akademia Górniczo-Hutnicza w Krakowie. Autor i redaktor licznych publikacji na temat filmu autorskiego, w tym zwłaszcza animowanego; zajmuje się w szczególności twórczością surrealisty Jana Svankmajera. Założyciel i od początku istnienia dyrektor artystyczny Międzynarodowego Festiwalu Filmowego Etiuda&Anima, członek Association Internationale du Film d’Animation (ASIFA) oraz Stowarzyszenia Filmowców Polskich, kurator programów na krajowych i zagranicznych festiwalach oraz innych imprezach filmowych.
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Copyright (c) 2017 Bogusław Zmudziński
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In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
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