To Sang Fotostudio/”To Sang Fotostudio”: Coda – Alicja – Sense
Abstract
A sequel or coda of the article devoted to the film To Sang Fotostudio, which was published in the hundredth, jubilee edition of the “Kwartalnik Filmowy”. The author decided to visit the place where Johan van der Keuken’s documentary was made. The purpose of the expedition was not so much to conduct an investigation, but an experiment - the visit was to be an opportunity to open up oneself to experience, that is by assumption incomplete and closed within a few days. The text is not so much a complement to the interpretation contained in the previous article, but rather an attempt to reflect on the cognitive value of individual experience in the context of recognizing the possible meanings of a film work. Andrzej Pitrus takes an extremely subjective attitude, but suggests that such readings may make sense for the reader. In the expedition, the close friend of the author Artur Piskorz and the Love of his Life - Alicja Helman also took part. Their presence was very significant for the success of the undertaking.
Keywords:
Johan van der Keuken, Alicja Helman, Artur PiskorzReferences
T. Flowers, God's Invitation: Meditations on a Covenant Relationship, Paulist Press, Mahwah: 2011,
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R. Escarpit, „Creative Treason” as a Key to Literature, „Yearbook of Comparative and General Literature” 1961, Vol. X, no 10.
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V. Mason-John, Our Crowning Glory, w: Hair Power, Skin Revolution, red. N. Moore, Matador, Leicester 2010.
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Authors
Andrzej Pitruskwartalnik.filmowy@ispan.pl
Jagiellonian University Poland
Profesor w Instytucie Sztuk Audiowizualnych Uniwersytetu Jagiellońskiego. Zajmuje się głównie nowymi mediami i ich wykorzystaniem w sztuce współczesnej; sporadycznie wraca do dawnych zainteresowań filmowych, skupiając uwagę przede wszystkim na kinie eksperymentalnym i autorskim.
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Copyright (c) 2018 Andrzej Pitrus
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In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
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