“Gugara” - Some Footnotes
Abstract
From the very beginning of their existence, film image as well as photographic one accompany ethnographic research. However despite this apparent closeness, the position of these images in the anthropology is rather ambivalent. This can be explained in a number of ways. On the one hand, sometimes the media are accused of representing other cultures and peoples in a far too simple way, imposing a single interpretation of reality. On the other hand they are accused of being a representation far too ambiguous. The author discusses the role of image and representation in anthropology, in the context of Gugara, a film by Andrzej Dybczak and Jacek Nagłowski.
Keywords:
Andrzej Dybczak, Jacek Nagłowski, anthropology, ethnographyReferences
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Authors
Sławomir Sikorakwartalnik.filmowy@ispan.pl
University of Warsaw Poland
Adiunkt w Instytucie Etnologii i Antropologii Kulturowej (UW), gdzie prowadzi zajęcia z zakresu antropologii wizualnej i refleksyjnej. Autor książki Fotografia. Między dokumentem a symbolem (2004). Publikował m. in. w „Kontekstach”, „Kwartalniku Filmowym”, „Czasie Kultury”, „Roczniku Historii Sztuki”, „Dialogu”, „Latarniku”. Współpraca przy wystawach: Malinowski - Witkacy. Fotografia: między nauką a sztuką (2000) oraz Nostalgia urzeczywistniona. Afryka w fotografiach Kazimierza Zagórskiego (2005). Tłumacz lub współtłumacz książek J. Bergera, O patrzeniu (1999), C. Geertza, Dzieło i Życie. Antropolog jako autor (2000), J. Clifforda, Kłopoty z kulturą. Dwudziestowieczna etnografia, literatura i sztuka (2000).
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