An Essay Devoid of a Title, About a Journey Home, Which Home Does Not Exist and Perhaps Never Will Be, or to a Home Which Once Belonged to Entirely Someone Else

Andrzej Pitrus

andrzej@pitrus.com.pl
Jagiellonian University (Poland)
https://orcid.org/0000-0002-5381-3377

Abstract

The author addresses the issue of immigration from a perspective based on the assumption that a person changing – for various reasons – the place of residence plays a certain role. In turn a “native” meeting a “stranger” has a different role to play. Pitrus focuses on works at the crossroads of different art forms – they are always works combining elements of cinema and theatre or – more broadly – performative arts. Artists talking about various kinds of
“migration of peoples” use such a hybrid form to induce the viewer to enter the role of a stranger or the one who meets him. Andrzej Pitrus writes about the works of Ariane Mnouchkine, Romeo Castellucci and Pippo Delbono, among others.


Keywords:

immigration, migration

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Published
2019-09-30

Cited by

Pitrus, A. (2019) “An Essay Devoid of a Title, About a Journey Home, Which Home Does Not Exist and Perhaps Never Will Be, or to a Home Which Once Belonged to Entirely Someone Else”, Kwartalnik Filmowy, (107), pp. 206–214. doi: 10.36744/kf.174.

Authors

Andrzej Pitrus 
andrzej@pitrus.com.pl
Jagiellonian University Poland
https://orcid.org/0000-0002-5381-3377

Medioznawca i filmoznawca; pracuje w Instytucie Sztuk Audiowizualnych Uniwersytetu Jagiellońskiego. Mieszka w Torrevieja. Nadal szuka języka, który pozwoli pogodzić akademicką pasję poznania z pragnieniem nazywania rzeczy i zjawisk w sposób prosty. W 2018 r. ukazała się jego książka To nie jest sztuka, panie profesorze poświęcona artystom media artu. W 2019 r. ukazała się jego pierwsza powieść pod tytułem Marieke naga, której bohaterka przeżyła Zagładę. Preferuje towarzystwo dzikich kotów, zwłaszcza pewnej Pumy.



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