“Film a dějiny” (and its Predecessors): The Czech Historical Film Research Project (2005-2021)
Mariusz Guzek
mariusz.guzek@gmail.comKazimierz Wielki University in Bydgoszcz (Poland)
https://orcid.org/0000-0002-2407-4499
Abstract
Film a dějiny (Film and History) is not only a series of post-conference publications, but also a sign of a new way of dealing with historical film dilemmas by the Czech academic community. The research monographs published since 2004 have filled the gaps in film studies by addressing previously omitted topics and offering a dialogue focused on critical issues of national cinematography. The following projects have been completed: Adolf Hitler and Others – Film Images of Evil, The Political Camera – Film and Stalinism, Normalization, Perestroika, Post-Communism – Transformations in Czech Historical Film after 1989, and Propaganda.
Keywords:
historical film, recent history in academic research, film literature in Czech RepublicReferences
Čechová, B. (2012). Film a dějiny potřetí. Film a doba, (3), ss. 174-175.
Google Scholar
Feigelson, K., Kopal, P. (red.) (2012). Film a dějiny 3. Politická kamera – film a stalinis¬mus. Praha: Casablanca – Ústav pro studium totalitních režimů.
Google Scholar
Franc, M. (2008). Ostalgie v Čechách. W: A. Gjuričová, M. Kopeček (red.), Kapitoly z déjin české demokracie po roce 1989 (ss. 193-216). Praha – Litomyšl: Paseka.
Google Scholar
Hain, M. (2017, 7 października). Filmová vĕda včera, dnes a zítra. 25fps.cz. http://25fps. cz/2017/co-je-noveho-ve-filmove-vede
Google Scholar
Hruška, B. (2005). Ježíšmarjá, vždyť ten Hus vypadá jako kněz! Průkopnický sborník o filmu a dějinách. Soudobé dějiny, (2), ss. 366-370.
Google Scholar
Hudec, Z. (2005). Film a dějiny. Cinepur, (41), s. 61.
Google Scholar
Jaroš, J. (2014, 9 grudnia). Jak probíhaly boje o smýšlení publika. Kultura21.cz. https:// www.kultura21.cz/film/11032-knihy-informacni-boj-o-ceskoslovensko-a-film-a¬-dejiny-recenze
Google Scholar
Jaroš, J., Strusková, E. (red.) (1993). Filmový sborník historický 4. Česká a slovenská ki-nematografie 60. let. Praha: Československý filmový ústav.
Google Scholar
Klimeš, I. (red.) (1988). Filmový sborník historický 1. Film a literature. Příspěvek k 90. Výročí československé kinematografie. Praha: Československý filmový ústav.
Google Scholar
Klimeš, I. (red.) (1992). Filmový sborník historický 3. Praha: Československý filmový ústav.
Google Scholar
Klimeš, I., Rak, J. (red.) (1991). Filmový sborník historický 2. 90 let vývoje čs. kinemato¬grafie – příspěvky z konference. Praha: Československý filmový ústav.
Google Scholar
Kofránková, V. (2012). Film a dějiny. Ohlédnutí. Cinepur, (82), s. 48.
Google Scholar
Kopal, P. (red.) (2005). Film a dějiny. Praha: Nakladatelství Lidové noviny.
Google Scholar
Kopal, P. (red.) (2009). Film a dějiny 2. Adolf Hítler a tí druzí – filmové obrazy zla. Praha: Casablanca – Ústav pro studium totalitních režimů.
Google Scholar
Kopal, P. (red.) (2014). Film a dějiny 4. Normalizace. Praha: Casablanca – Ústav pro studium totalitních režimů.
Google Scholar
Kopal, P. (red.) (2016). Film a dějiny 5. Perestrojka/přestavba. Praha: Casablanca – Ústav pro studium totalitních režimů.
Google Scholar
Kopal, P. (red.) (2018). Film a dějiny 7. Propaganda. Praha: Casablanca – Ústav pro studium totalitních režimů.
Google Scholar
Matýsek, J. V. (2015, 24 kwietnia). Ve vlnách nebezpečné nostalgie. 25fps.cz. http://25fps. cz/2015/film-a-dejiny-normalizace
Google Scholar
Ptáček, L., Kopal, P. (red.) (2016). Film a dějiny 6. Promĕny českého historického filmu po roce 1989. Praha: Casablanca – Ústav pro studium totalitních režimů.
Google Scholar
Skupa, L. (2015). Film a dějiny 4: Normalizace / Monstrum zatím nepolapeno. Cinepur, (97), s. 48.
Google Scholar
Šuch, J. (2010). História a jej pravda v súčasnosti. Rozhovor s Frankem Ankersmitem. Aluze, (3), ss. 19-23.
Google Scholar
Vávra, O. (1996). Podivný život režiséra. Obrazy vzpominek. Praha: Prostor.
Google Scholar
Authors
Mariusz Guzekmariusz.guzek@gmail.com
Kazimierz Wielki University in Bydgoszcz Poland
https://orcid.org/0000-0002-2407-4499
Professor in the Institute of Cultural Science at Kazimierz Wielki University in Bydgoszcz. He works in the area of regional studies (focusing on the film culture of Bydgoszcz), the history of Polish cinematography during the First World War and the years following the restoration of Poland’s sovereignty, as well as the cinema of Czechoslovakia and the Czech Republic. He is currently working on a monograph on Czech myths in film.
Statistics
Abstract views: 136PDF downloads: 112
License
Copyright (c) 2022 Mariusz Guzek
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Mariusz Guzek, The Unknown History of Polish Educational Film , Kwartalnik Filmowy: No. 108 (2019): Film Production and Distribution
- Mariusz Guzek, On the Other Side of the Border: The Film Fate of the Upper Silesian Province , Kwartalnik Filmowy: No. 114 (2021): Contamination, Dirt, Flaw
- Mariusz Guzek, Piotr Zwierzchowski, More Than Anthology , Kwartalnik Filmowy: No. 104 (2018): Essay, Found Footage, Compilation Film
- Mariusz Guzek, New Wave also Means Czechoslovakia , Kwartalnik Filmowy: No. 126 (2024): Fantasy and Phantasm
- Mariusz Guzek, Cameramen in Tsarist Uniforms: Polish Cinematographers as the Best in the Military-Cinematographic Branch of the Skobelev Committee (1913-1917) , Kwartalnik Filmowy: No. 95 (2016): Transnational Dimension of Polish Cinema
