Underground Comics and Animations: A Conversation with Krzysztof Ostrowski

Przemysław Kaniecki

p.kaniecki@al.uw.edu.pl
University of Warsaw (Poland)
https://orcid.org/0000-0002-3280-8501

Abstract

An interview with Krzysztof Ostrowski, a comics artist, director of music videos, and author of a documentary film with animated parts: Łódź 1993-2001. Ostrowski comments on the artistic shape of his music videos and comics. He derives it from avant-garde comics. In his opinion, comics and animation – as a medium based on keyframes – are close to each other.


Keywords:

underground comics, animations, music videos

Nie dotyczy / Not applicable
  Google Scholar


Published
2021-08-17

Cited by

Kaniecki, P. (2021) “Underground Comics and Animations: A Conversation with Krzysztof Ostrowski ”, Kwartalnik Filmowy, (114), pp. 179–192. doi: 10.36744/kf.787.

Authors

Przemysław Kaniecki 
p.kaniecki@al.uw.edu.pl
University of Warsaw Poland
https://orcid.org/0000-0002-3280-8501

Lecturer in the Faculty of “Artes Liberales” at the University of Warsaw, curator of collections at the POLIN Museum of the History of Polish Jews. He is the author of the monographs Wniebowstąpienia Konwickiego [Konwicki’s Ascensions] (2013) and Samospalenia Konwickiego [Konwicki’s Self-Immolations] (2014), among other works.



Statistics

Abstract views: 218
PDF downloads: 172


License

Copyright (c) 2021 Przemysław Kaniecki

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.

In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.