Architecture, Urban Planning and Community – „Byker” by Sirkka-Liisa Konttinen
Karolina Kosińska
karolina.kosinska@ispan.plInstitute of Art, Polish Academy of Sciences (Poland)
https://orcid.org/0000-0003-1096-878X
Abstract
The article focuses on the project Byker (1983) by Sirkka-Liisa Konttinen, a member of the Amber Collective from Newcastle, documenting social life of the working-class communities in Northern England. On the one hand, the film is a record of the transformation of Byker (the city’s authorities decided to demolish the terraced houses, declaring them as slums, and to replace them with a modern development – blocks of flats designed by Ralph Erskine). On the other, it may be treated as a voice in the lively discussion concerning postwar British architecture and urban planning. Kosińska argues that Byker, although quite nostalgic in tone, is above all – because of its hybrid form and also its complex rhetorical devices – trying to symbolically reverse the process of annihilation, to (re)construct the community, and to give the control over the living space back to this community. Kosińska refers to the arguments of Annabell Honess Roe and to the theory of the space as a social product formulated by Henri Lefebvre. She also places the film in the context of urban planning, using the account written by Peter Malpass that destroys the myth of success that accompanied the redevelopment of Byker.
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Keywords:
Sirkka-Liisa Konttinen, Amber collective, British cinema, social realism, architecture, urban planning, communityReferences
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DOI: https://doi.org/10.1080/02665433.2013.737710
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Authors
Karolina Kosińskakarolina.kosinska@ispan.pl
Institute of Art, Polish Academy of Sciences Poland
https://orcid.org/0000-0003-1096-878X
Assistant Professor in the Department of Cultural Anthropology, Film and Audiovisual Arts at the Institute of Art of the Polish Academy of Sciences (ISPAN). She is the editor-in-chief of the academic film journal Kwartalnik Filmowy, published by ISPAN. Her book based on her doctoral thesis, Androgyn. Tożsamość, tęsknota, pragnienie [Androgyne. Identity, Longing and Desire] (2015), has been awarded the Bolesław Michałek Award as the best film studies publication of 2014-2015. Kosińska is interested in British cinema, especially in the history and aesthetics of British social realism.
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