Found Footage as the Cinema of Renewal of Meaning of Home Movies in Films “A Song of Air” and “Sea in the Blood”

Baron Jamie, The Archive Effect: Found Footage and the Audiovisual Experience of History, Routledge, Londyn – Nowy Jork 2014
DOI: https://doi.org/10.4324/9780203066935   Google Scholar

Barthes Roland, Światło obrazu. Uwagi o fotografii, Wydawnictwo Alatheia, Warszawa 2008
  Google Scholar

Didi-Huberman Georges, Strategie obrazów. Oko historii 1, Korporacja HA!ART, Kraków 2011
  Google Scholar

Eagleton Terry, Ideology. An Introduction, Verso, Londyn 1991
  Google Scholar

Fung Richard, Remaking home movies, w: Mining the Home Movie. Excavations in Histories and Memories, pod red. K. I. Ishizuka, P. R. Zimmermann, University of California Press, Berkley, Los Angeles, Londyn, s. 29-40
DOI: https://doi.org/10.1525/9780520939684-005   Google Scholar

hooks bell, Teoria feministyczna. Od marginesu do centrum, Warszawa 2013, Wydawnictwo Krytyki Politycznej
  Google Scholar

Hyży Ewa, Kobieta, ciało, tożsamość. Teorie podmiotu w filozofii feministycznej końca XX wieku, UNIVERSITAS, Kraków 2012
  Google Scholar

Ishizuka Karen I., Zimmermann Patricia R. red., Mining the Home Movie. Excavations in Histories and Memories, University of California Press, Berkley – Los Angeles – Londyn 2008
  Google Scholar

Kattelle Alan, Home Movies. A History of the American Industry: 1897-1979, Transition Publishing, Nashua 2000
  Google Scholar

Odin Roger, Reflection on the Family Home Movie as Document. A Semio-Pragmatic Approach, w: Mining the Home Movie. Excavations in Histories and Memories, pod red. K. L. Ishizuka, Patricia R. Zimmermann, Uniwersity of California Press, Berkeley, Los Angele, Londyn, s. 255-271.
DOI: https://doi.org/10.1525/9780520939684-029   Google Scholar

Odin Roger, The Home Movie and Space of Communication, w: Amateur Filmmaking. The Home Movie, the Archive, the Web, pod red. Laura Rascaroli, Gwenda Young, Barry Monahan, Bloomsbury Publishing, Nowy Jork – Londyn – New Delhi – Sydney 2014, wydanie Kindle, lokacja442-682 z 8812.
DOI: https://doi.org/10.5040/9781628929935.ch-001   Google Scholar

Podsiadło Magdalena, Autobiografizm filmowy jako ślad podmiotowej egzystencji, Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS, Kraków 2013
  Google Scholar

Reisman David, Leisure and Work in a Post-Industrial Society, w: Mass Leisure, pod red. Eric Larrabee, Rolf Meyerson, Free Press, Glencoe 1958
  Google Scholar

Rencontres Autour Des Inedits red., Essays on Amateur Film. Jubilee Book, European Association Inedits, Charleroi 1997
  Google Scholar

Rosner Katarzyna, Narracja, tożsamość i czas, UNIVERSITAS, Kraków 2006
  Google Scholar

Sontag Susan, Choroba jako metafora. AIDS i jego metafory, przeł. J. Anders, Wydawnictwo Karakter, Kraków 2016
  Google Scholar

Wees William C., Recycled Images. The Art and Politics of Found Footage Films, Anthology Film Archives, Nowy Jork 1993
  Google Scholar

Zimmermann Patricia R., Reel Families. A Social History of Amateur Film, Indiana University Press, Bloomington and Indianapolis 1995
  Google Scholar

Zimmermann Patricia R., The Home Movie Movement. Excavations, Artifacts, Minings, w: Mining the Home Movie. Excavations in Histories and Memories, pod red. K. L. Ishizuka, Patricia R. Zimmermann, Uniwersity of California Press, Berkeley, Los Angele, Londyn.
  Google Scholar