In Light of Bollywood and Kollywood: Differences between the Production Cultures of Polish and Indian Film Industry
Marcin Adamczak
m_adamczak80@wp.plAdam Mickiewicz University in Poznan (Poland)
https://orcid.org/0000-0001-5540-6719
Abstract
The article inquires into the possibility of existence of different production cultures in the global film industry. Is there an alternative to the Western production culture (both Hollywood and European one), which is regarded as universal? A relevant example is provided by Indian film cultures (Bollywood and Tollywood). The author’s main source are interviews with Polish members of Indian film crews. This kind of collaboration was a chance for a meeting (or clash) of two production cultures on one film set. On the basis of the interviews, eight major differences between the European and Indian models of production culture have been identified. This distinction enables identifying an alternative production culture, based less on procedures, documentation and the planning of every element of the process, and more on spontaneity and flexibility
Supporting Agencies
Keywords:
production culture, production studies, Indian film industriesReferences
Banks, M., Conor, B., Mayer, V. (2016). Production Studies, The Sequel!: Cultural Studiesof Global Industries. New York: Routledge.
DOI: https://doi.org/10.4324/9781315736471
Google Scholar
Caldwell, J. T. (2008). Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham: Duke University Press.
DOI: https://doi.org/10.2307/j.ctv11sn72d
Google Scholar
Dębnicki, K. (2015). Konflikt i przemoc w systemie politycznym niepodległych Indii. Warszawa: Wydawnictwo Akademickie Dialog.
Google Scholar
Feyerabend, P. (2001). Przeciw metodzie (tłum. S. Wiertlewski, red. naukowa K. Zamiara). Wrocław: Siedmioróg.
Google Scholar
Ganti, T. (2012). Producing Bollywood: Inside the Contemporary Hindi Film Industry. Durham: Duke University Press.
DOI: https://doi.org/10.1515/9780822395225
Google Scholar
Govil, N. (2008). Bollywood and the Frictions of Global Mobility. W: R. Dudrah, J. Desai (red.), The Bollywood Reader (ss. 201-215). Berkshire: Open University Press.
Google Scholar
Kożuchowski, T., Morozow, I., Sawka, R. (2019). Społeczny wymiar tworzenia filmu w Polsce. Łódź: Wydawnictwo Biblioteki PWSFTviT.
Google Scholar
Lipka-Chudzik, K. (2009). Bollywood dla początkujących. Warszawa: Prószyński i S-ka.
Google Scholar
Majer, A., Orankiewicz, A., Wróblewska, A. (2019). Pieniądze – produkcja – rynek. Finansowanie produkcji filmowej w Polsce. Łódź: Wydawnictwo PWSFTviT.
Google Scholar
Majer, A., Szczepański, T. (red.) (2019). Kultura produkcji filmowej. Teorie, badania, praktyki. Łódź: Wydawnictwo PWSFTviT.
Google Scholar
Mayer, V., Banks, M. J., Caldwell, J. T. (2009). Production Studies: Cultural Studies of Media Industries. New York: Routledge.
DOI: https://doi.org/10.4324/9780203879597
Google Scholar
Mehta, S. (2011). Maximum City. Bombaj (tłum. M. Bręgiel-Benedyk). Poznań: Namas.
Google Scholar
Paz, O. (1997). Podpatrywanie Indii. Kraków: Wydawnictwo Literackie.
Google Scholar
Stachówna, G. (2015). Kino indyjskie. W: T. Lubelski, I. Sowińska, R. Syska (red.), Historia kina. Tom 3. Kino epoki nowofalowej (ss. 1223-1256). Kraków: Universitas.
Google Scholar
Taleb, N. N. (2020). Antykruchość. Jak żyć w świecie, którego nie rozumiemy (tłum. O. Siara). Poznań: Zysk i S-ka.
Google Scholar
Tharoor, S. (2004). Bollywood (tłum. A. Karp). Warszawa: Wydawnictwo Akademickie Dialog.
Google Scholar
Woźniakowska, U. (2010). Bollywood. Pragnienie prawdy i tęsknota za mitem. Kraków: Universitas.
Google Scholar
Authors
Marcin Adamczakm_adamczak80@wp.pl
Adam Mickiewicz University in Poznan Poland
https://orcid.org/0000-0001-5540-6719
Associate Professor at the Faculty of Anthropology and Cultural Studies at Adam Mickiewicz University in Poznań, Poland. Visiting scholar at Lodz Film School and the University of Gdańsk. Co-founder of the distribution company Velvet Spoon. Author of books: Globalne Hollywood, filmowa Europa i polskie kino po 1989 roku [Global Hollywood, European Cinema and Polish Film after 1989] (2010), Obok ekranu. Perspektywa badań produkcyjnych a społeczne istnienie filmu [Besides the Screen: Production Studies Perspective and Social Dimensions of Film] (2014) and Kapitały przemysłu filmowego: Hollywood, Europa, Chiny [Capitals of Film Industry: Hollywood, Europe and China] (2019).
Statistics
Abstract views: 273PDF downloads: 297
License
Copyright (c) 2022 Marcin Adamczak
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Marcin Adamczak, Sławomir Salamon, The Crumbling of Global Hollywood. Holdbacks, Distribution Windows and the Development of Streaming Platforms , Kwartalnik Filmowy: No. 108 (2019): Film Production and Distribution
- Marcin Adamczak, Konrad Klejsa, Contemporary Studies of Film Production and Distribution – Introduction , Kwartalnik Filmowy: No. 108 (2019): Film Production and Distribution
- Marcin Adamczak, About Modernism of Exhaustion , Kwartalnik Filmowy: No. 113 (2021): Film and Technology
- Marcin Adamczak, About Non-Western Colonialism , Kwartalnik Filmowy: No. 121 (2023): Cinema and Young Audience
- Marcin Adamczak, Family Similarities: Films by Władysław Pasikowski and Films From the Kowloon Peninsula Compared , Kwartalnik Filmowy: No. 97-98 (2017): Wandering Motifs