Self-Animated Portrait
Abstract
The essay on self-portrait in movies. Giżycki argues that we can only deal with the genuine unquestioned self-portrait in the traditional meaning of the word in animated cartoons. They help create the situation in which a film director him/herself paints, draws or sculpts and in the end animates him/herself. The most interesting animated self-portraits have been created by women. Through animation women directors enter the world of their desires and fantasies. According to Giżycki, animation adds an extra dimension (time) to the classic self-portrait executed by a painter.
Keywords:
animation, self-portrait, timeReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Marcin Giżyckikwartalnik.filmowy@ispan.pl
Rhode Island School of Design United States
Krytyk i historyk sztuki, autor książek z dziedziny historii filmu i zjawisk współczesnej kultury artystycznej. Wykładowca w Rhode Island School of Design w Stanach Zjednoczonych. Autor książek m. in. Postmodernizm - kultura wyczerpania (1988), Film w kręgu polskiej awangardy artystycznej dwudziestolecia międzywojennego (1996), Nie tylko Disney (2000).
Statistics
Abstract views: 1775PDF downloads: 300
License
Copyright (c) 2001 Marcin Giżycki

This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Marcin Giżycki, Construction – Reproduction: Graphics, Photography and Film in Polish Constructivism , Kwartalnik Filmowy: No. Special Issue (2013): Polish Film Scholars on Polish Cinema
- Marcin Giżycki, Construction – Reproduction: Graphic Arts, Photography and Film in Polish Constructivism , Kwartalnik Filmowy: No. 54-55 (2006): Film, Photography, Reality
- Marcin Giżycki, Animated Documentary: A New Genre or a Marketing Gimmick? , Kwartalnik Filmowy: No. 101-102 (2018): European Cinema of 21st Century
- Marcin Giżycki, On the Occasion of the Jubilee , Kwartalnik Filmowy: No. 100 (2017): On Celebrating
- Marcin Giżycki, The Lost Innocence of Street Art , Kwartalnik Filmowy: No. 73 (2011): Cinema is Me: Cinematic Autobiographies
- Marcin Giżycki, Déjà Vu , Kwartalnik Filmowy: No. 114 (2021): Contamination, Dirt, Flaw
- Marcin Giżycki, Truly Uncompromising Cinema , Kwartalnik Filmowy: No. 61 (2008): Fear, Anxieties, Concerns
- Marcin Giżycki, The Cinematic Power of Trains and Railroads , Kwartalnik Filmowy: No. 80 (2012): Film at the Meeting Point of Cultures
- Marcin Giżycki, Spontaneous Cinema , Kwartalnik Filmowy: No. 67-68 (2009): Film History
- Marcin Giżycki, The Spirit of William Mulholland , Kwartalnik Filmowy: No. 93-94 (2016): American Cinema


