Audiovisuality in Search of the Paradigms
Abstract
Nacher reviews two antologies edited by Andrzej Gwóźdź (Kino po kinie. Film w kulturze uczestnictwa /2010/ and Pogranicza audiowizualności. Parateksty kina, telewizji i nowych mediów /2010/). She argues that the key issue for both collections of essays is the changing mode of research within the field of film and media studies. Considering multiple ways in which both “old” and “new” media converge in the contemporary contexts, the author propose to reconsider traditional disciplines in favor of the emerging field of studies on audiovisual culture, which would better address dynamically changing practices on the crossroads of established and emerging forms of media and their discourses.
Keywords:
Andrzej Gwóźdź, review, media studiesReferences
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Authors
Anna Nacherkwartalnik.filmowy@ispan.pl
Jagiellonian University Poland
Adiunkt w Instytucie Sztuk Audiowizualnych Uniwersytetu Jagiellońskiego (Katedra Mediów Audiowizualnych). Autorka książki Telepłeć. Gender w telewizji doby globalizacji (2008). Publikowała w „Kulturze Współczesnej”, „Przeglądzie Kulturoznawczym”, „Artmixie”, „Czasie Kultury” i w pracach zbiorowych.
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