The Aesthetics of Degenerations and the Obsession of Decay: Image of a Human Body in Luis Buñuel’s Films

Iwona Kolasińska

kwartalnik.filmowy@ispan.pl
Jagiellonian University (Poland)

Abstract

In Buñuel’s films surrealistic vision of the „living beauty” appears a „degenerated beauty”. Buñuel shakes the belief both in physical and moral beauty of a human being. Physical imperfection of characters goes together with their deprivation of sensibility whereas beauty is degraded by moral depravation. Phenomenon of evil and primary injury of the human being become the essence of anthropology in Buñuel’s films. Physical imperfection is always a part or reflection of a sick reality. Human body in Buñuel’s films creates an anthropocosmos which reflects perversity and process of decay of the surrounding reality. Buñuel’s valorization of ugliness (which is reference to the certain esthetic tradition originating in literature and painting) is an attempt to create new esthetic combinations.



Keywords:

Luis Buñuel, body, ugliness

Nie dotyczy / Not applicable
  Google Scholar


Published
2000-06-30

Cited by

Kolasińska, I. (2000) “The Aesthetics of Degenerations and the Obsession of Decay: Image of a Human Body in Luis Buñuel’s Films”, Kwartalnik Filmowy, (29-30), pp. 114–135. doi: 10.36744/kf.4239.

Authors

Iwona Kolasińska 
kwartalnik.filmowy@ispan.pl
Jagiellonian University Poland

Pracow­nik naukowy na wydziale filmo­znawstwa Uniwersytetu Jagielloń­skiego.



Statistics

Abstract views: 32
PDF downloads: 12


License

Copyright (c) 2000 Iwona Kolasińska

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.

In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.