Painting as a Diary, an Intimate Statement: Jerzy Skarżyński in Conversation with Iwona Grodź
Abstract
Iwona Grodź asks Jerzy Skarżyński (1924-2004), a painter, theatre and film set designer, about his inspirations by Surrealism and Baroque, his set designing technique, about painting and first of all about the nature of his collaboration with Wojciech Jerzy Has with whom he made such important and visually rich films, The Hour-glass Sanatorium and The Saragossa Manuscript. Skarżyński tells Grodź what role the set design plays in filmmaking, about the differences between theatre and film set designing, and to what extent a set designer is able to keep creative freedom.
Keywords:
painting, interview, Jerzy SkarżyńskiReferences
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Authors
Iwona Grodźkwartalnik.filmowy@ispan.pl
Adam Mickiewicz University, Poznań Poland
Absolwentka wydziału Filologii Polskiej UAM. Obecnie słuchaczka Studium Doktoranckiego na wydziale Filologii Polskiej i Klasycznej UAM i studentka historii sztuki.
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Copyright (c) 2004 Iwona Grodź
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