From Theatregraph to TV Series: On Czechoslovak Interactive Audiovisual Projects
Abstract
The author discusses the three most important Czechoslovak interactive audiovisual works: the film Kinoautomat (1967) by Radúz Činčera, TV series Rozpaky kuchare Svatopluka (1985) directed by Frantisek Filip and Hnchy pro pätera Knoxe (1992) directed by Dusan Klein. Marecki points to the pioneering on the world scale character of the audiovisual projects and places them in the context of theatre experiments and inventions specific for Czechoslovakia (Theatregraph and Laterna Magica).
Keywords:
theatregraph, laterna magica, Czechoslovak cinemaReferences
Chrástek, Zdeněk. 2011. Kinoautomat – vznik a uvedení prvního českého interaktivního filmu. Brno
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Spáčilova, Mirka. 1985. Kuchař v rukou diváků. „Svobodné slovo”. 11.01.
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Szczygieł, Mariusz. Kinoautomat. http://www.mariuszszczygiel.com.pl/345,blog/kinoautomat
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Authors
Piotr Mareckikwartalnik.filmowy@ispan.pl
Jagiellonian University Poland
Kulturoznawca, adiunkt w Katedrze Kultury Współczesnej Instytutu Kultury Uniwersytetu Jagiellońskiego; w latach 2013-2014 stypendysta Komisji Fulbrighta w Massachusetts Institute of Technology. Obszary zainteresowań: literatura polska po 1989 r., kultura niezależna, literatura cyfrowa, adaptacje filmowe. Ostatnio m.in. współredagował książkę Hiperteksty literackie. Literatura nowych mediów (2011) i wydał monografię Czycz i filmowcy, czyli przyliteracki status kina polskiego (2012).
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