From Theatregraph to TV Series: On Czechoslovak Interactive Audiovisual Projects
Abstract
The author discusses the three most important Czechoslovak interactive audiovisual works: the film Kinoautomat (1967) by Radúz Činčera, TV series Rozpaky kuchare Svatopluka (1985) directed by Frantisek Filip and Hnchy pro pätera Knoxe (1992) directed by Dusan Klein. Marecki points to the pioneering on the world scale character of the audiovisual projects and places them in the context of theatre experiments and inventions specific for Czechoslovakia (Theatregraph and Laterna Magica).
Keywords:
theatregraph, laterna magica, Czechoslovak cinemaReferences
Chrástek, Zdeněk. 2011. Kinoautomat – vznik a uvedení prvního českého interaktivního filmu. Brno
Google Scholar
Spáčilova, Mirka. 1985. Kuchař v rukou diváků. „Svobodné slovo”. 11.01.
Google Scholar
Szczygieł, Mariusz. Kinoautomat. http://www.mariuszszczygiel.com.pl/345,blog/kinoautomat
Google Scholar
Authors
Piotr Mareckikwartalnik.filmowy@ispan.pl
Jagiellonian University Poland
Kulturoznawca, adiunkt w Katedrze Kultury Współczesnej Instytutu Kultury Uniwersytetu Jagiellońskiego; w latach 2013-2014 stypendysta Komisji Fulbrighta w Massachusetts Institute of Technology. Obszary zainteresowań: literatura polska po 1989 r., kultura niezależna, literatura cyfrowa, adaptacje filmowe. Ostatnio m.in. współredagował książkę Hiperteksty literackie. Literatura nowych mediów (2011) i wydał monografię Czycz i filmowcy, czyli przyliteracki status kina polskiego (2012).
Statistics
Abstract views: 44PDF downloads: 35
License
Copyright (c) 2014 Piotr Marecki
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
