Our Film Map

Rafał Marszałek

rafal-marszalek@wp.pl
Film Academy (Poland)
https://orcid.org/0000-0002-8355-7271

Abstract

Presentation of the book by Barbara Hollender Od Munka do Maślony [From Munk to Maślona] (2017), which is the third link in the cycle after the previously published volumes Od Wajdy do Komasy [From Wajda to Komasa] (2014) and Od Kutza do Czekaja [From Kutz to Czekaj] (2016). The seriousness of this work is not limited to documentation, and Hollender’s ambition was not to create a lexicon. Her book is a remarkable biographical reconstruction, which is based on testimonies of directors, but ultimately owes its shape to their interlocutor – the author. Barbara Hollender described the cultural changes that influenced the shape of today’s Polish cinema. She distinguished several critical points related to modern history, starting from the Polish film school, through the cinema of moral anxiety, which in the second half of the 1970s expressed her own rebellion and personal longing of a young girl she was at the time. The last of these points, especially exposed, is the political transformation after 1989. The narrative is conducted both over generational divisions and those resulting from experience or style. The protagonists of the book, even if they belong to one generation, do not create joint manifestos or implement a uniform – ideologically or aesthetically – programme. The collective portrait splits into expressive, individualized images.


Keywords:

Polish cinema, Andrzej Munk, Paweł Maślona, Andrzej Wajda, Jan Komasa, Kazimierz Kutz, Jakub Czekaj

Hollender, Barbara. Od Munka do Maślony, Prószyński i S-ka, Warszawa 2017.
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Sandauer, Artur. Pisma zebrane, vol. 3, Warszawa 1985.
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Sandauer, Artur. Źle o następcach III, „Współczesność” 1965, no 9.
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Published
2019-12-31

Cited by

Marszałek, R. (2019) “Our Film Map”, Kwartalnik Filmowy, (108), pp. 323–326. doi: 10.36744/kf.204.

Authors

Rafał Marszałek 
rafal-marszalek@wp.pl
Film Academy Poland
https://orcid.org/0000-0002-8355-7271

Krytyk i historyk filmu; w latach 1973-1990 zatrudniony w Instytucie Sztuki Polskiej Akademii Nauk, gdzie kierował m.in. Pracownią Historii Filmu oraz Zakładem Filmu, Telewizji i Kultury Masowej. Redaktor naukowy i współautor V i VI tomu Historii filmu polskiego.



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