A Guide to Dreams

Karolina Kostyra

kwartalnik.filmowy@ispan.pl
University of Silesia in Katowice (Poland)

Abstract

Review of the book by Magdalena Kempna-Pieniążek and Przemysław Pieniążek Inny/Obcy. Transnarodowe i transgresyjne motywy w twórczości Petera Weira [Different/Other. Transnational and Transgressive Motives in the Works of Peter Weir] (2017). In the first Polish monograph devoted to Peter Weir, the authors propose a holistic reading of the Australian director’s achievements through the prism of a diverse character of the struggle with what is different, foreign, incomprehensible present in his films. In the review of the book, Karolina Kostyra develops the authors’ observations, providing further arguments Kempna-Pieniążek and Pieniążek proposed approach to Weir as a director struggling with cultural difference and perceiving in phenomena, that from the perspective of Western view may appear as irrational, their proper rationality, not depriving the analysed films of the incompleteness and secrets contained in them.


Keywords:

Peter Weir, Australian cinema, Other

D. Castell, „Weir, Weird and Weirder Still”: The Riddle of Hanging Rock, w: Peter Weir Interviews, red. J. C. Tibbets, University Press of Mississippi, Jackson 2014, s. 79-84.
  Google Scholar

R. Leonard, The Mystical Gaze of The Cinema: The Films of Peter Weir, Melbourne University Press, Melbourne 2009, s. 96.
  Google Scholar

M. Kempna-Pieniążek, Neo-noir. Ciemne zwierciadło czasów kryzysu, Wydawnictwo Uniwersytetu Śląskiego, Katowice 2015.
  Google Scholar

M. Kempna-Pieniążek, Dziwniejsze niż fikcja. Rola wyobraźni w filmach Marca Forstera, Wydawnictwo Uniwersytetu Śląskiego, Katowice 2012.
  Google Scholar

M. Kempna-Pieniążek, Marzyciele i wędrowcy: romantyczna topografia twórczości Wernera Herzoga i Wima Wendersa, Wydawnictwo Uniwersytetu Śląskiego, Katowice 2013.
  Google Scholar

M. Kempna-Pieniążek, Formuły duchowości w kinie najnowszym, Wydawnictwo Uniwersytetu Śląskiego, Katowice 2013.
  Google Scholar

M. Kempna-Pieniążek, Przemysław Pieniążek, Inny/obcy. Transnarodowe i transgresyjne motywy w twórczości Petera Weira, Wydawnictwo Uniwersytetu Śląskiego, Katowice 2017.
  Google Scholar


Published
2018-12-31

Cited by

Kostyra, K. (2018) “A Guide to Dreams”, Kwartalnik Filmowy, (104), pp. 253–257. doi: 10.36744/kf.1876.

Authors

Karolina Kostyra 
kwartalnik.filmowy@ispan.pl
University of Silesia in Katowice Poland

Kulturoznawczyni, kinofilka, doktorantka w Zakładzie Filmoznawstwa i Wie­dzy o Mediach Uniwersytetu Śląskiego. Interesuje się historią i poetyką kina. Jej dotychczasowe publikacje dotyczyły kultury młodzieżowej, ra­dzieckiego kina poodwilżowego i estetyki filmów nostalgicznych. Wyróżniona w Konkursie im. Krzysztofa Mętraka dla młodych krytyków filmo­wych.



Statistics

Abstract views: 116
PDF downloads: 49


License

Copyright (c) 2018 Karolina Kostyra

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.

In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.