Cinematic Visions of the Origins of the Myth of Frankenstein

Iwona Kolasińska

kwartalnik.filmowy@ispan.pl
Jagiellonian University (Poland)

Abstract

Every society needs a myth of creation. Kolasińska says the story of Dr Frankenstein was such a myth for a century-old Cinema. That monstrous travesty of the biblical story is a myth about the man who replaces God (an act of creation) and also a woman (childbirth). Is it interesting that the foundations of this great cinematic myth (Frankenstein; or the Modern Prometheus) were laid by woman, Mary Shelley. Kolasińska discusses in detail an atmos­phere (including biographical facts) in which the book was written, as well as its film versions, especially Ivan Passer’s Haunted Summer (1987) and Ken Russell’s Gothic (1986).



Keywords:

Frankenstein, founding myth, Mary Shelley

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Published
2003-06-30

Cited by

Kolasińska, I. (2003) “Cinematic Visions of the Origins of the Myth of Frankenstein”, Kwartalnik Filmowy, (41-42), pp. 250–272. doi: 10.36744/kf.3812.

Authors

Iwona Kolasińska 
kwartalnik.filmowy@ispan.pl
Jagiellonian University Poland

Adiunkt w Instytucie Sztuk Audiowizualnych UJ. Napisała pracę habili­tacyjną o kinie Luisa Buñuela. Autorka książki Ko­bieta i demony. O widzu horroru filmowego (2003).



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Copyright (c) 2003 Iwona Kolasińska

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