(No)Motion and Silence of a Picture-Thought According to JLG
Abstract
A review of Barbara Kita’s book Obraz zatrzymany. Praktyka i teoria późnego Godarda [Freeze Frame: Practice and Theory of Late Godard] (2013). Justyna Budzik presents the structure of Barbara Kita’s scientific argument, and describes and comments on the methodology adopted by the author. The reviewer discusses the problem of reflection taken up by the author and explains three main categories which she applies in her interpretation of the late work of Jean-Luc Godard: slow motion/stop motion image, art painting (film frame), and photography. The reviewer also gives some attention to the context of contemporary theory of image (Georges Didi-Huberman, Gilles Deleuze) which inform Barbara Kita’s work.
Keywords:
Barbara Kita, Jean-Luc Godard, Georges Didi-Huberman, Gilles DeleuzeReferences
Kita, Barbara. 2013. Obraz zatrzymany. Praktyka i teoria późnego Godarda. Katowice: Oficyna Wydawnicza Wacław Walasek.
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Authors
Justyna Budzikkwartalnik.filmowy@ispan.pl
University of Silesia Poland
Doktor nauk humanistycznych w zakresie kulturoznawstwa, filmoznawczyni, absolwentka podyplomowego studium historii sztuki, lektorka języka polskiego jako obcego. Autorka książki Dotyk światła. O zmysłowym doznawaniu kina (2012). Laureatka głównej nagrody w I edycji Konkursu im. Inki Brodzkiej-Wald za pracę doktorską z dziedziny współczesnej humanistyki. Pracuje w Zakładzie Filmoznawstwa i Wiedzy o Mediach Uniwersytetu Śląskiego. Publikuje artykuły z zakresu antropologii, estetyki i dydaktyki filmu, recenzje filmów, wystaw i książek popularnonaukowych.
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Copyright (c) 2014 Justyna Budzik
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