Wojciech Jerzy Has’s “The Hourglass Sanatorium” in the Context of Tradition of Judaics
Małgorzata Burzyńska-Keller
kwartalnik.filmowy@ispan.plPolish National Film, Television and Theatre School in Łódź (Poland)
Abstract
Burzyńska-Keller analyzes Has’s film as an integral film composition, a work of art parallel to the theme and mood of Brunon Schulz’s prose. She explores the film plots and elements inspired by Chassidism and Talmud, and Has’s knowledge of „Jewish wisdom” and habits. Assuming that time is the film’s main hero, Burzyńska-Keller gives concrete examples to compare the ways time is depicted by Has and Schulz.
Keywords:
Wojciech Jerzy Has, Judaism, Bruno SchulzReferences
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Authors
Małgorzata Burzyńska-Kellerkwartalnik.filmowy@ispan.pl
Polish National Film, Television and Theatre School in Łódź Poland
Absolwentka szkoły muzycznej w klasie wiolonczeli i fortepianu, college’u Mahon Chana - żydowskiej religijnej jesziwy w Nowym Jorku oraz Wydziału Reżyserii PWSFTviT im. Leona Schillera w Łodzi (1998); prowadzi wykłady w PWSFTviT z zakresu wiedzy praktycznej dotyczącej reżyserii filmu fabularnego; asystentka prof. Wojciecha Hasa.
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Copyright (c) 2000 Małgorzata Burzyńska-Keller
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