Avant-Garde as Software

Lev Manovich

kwartalnik.filmowy@ispan.pl
University of California, San Diego (United States)

Abstract

Manovich compares the technological revolution of the late 20th century („new media”) with the art revolution of the early 20th century. He argues that discoveries and techniques of the old avant-garde (visual atomism, film montage and new typography) have been utilized and naturalized in the form of software. In his view, the forms today’s media utilize remain unchanged but how these forms can be used changes.



Keywords:

new media, avant-garde, software

Nie dotyczy / Not applicable
  Google Scholar


Published
2001-12-31

Cited by

Manovich, L. (2001) “Avant-Garde as Software”, Kwartalnik Filmowy, (35-36), pp. 323–336. doi: 10.36744/kf.4137.

Authors

Lev Manovich 
kwartalnik.filmowy@ispan.pl
University of California, San Diego United States

Teoretyk no­wych mediów. Ur. w Moskwie, gdzie studiował sztuki piękne, ar­chitekturę i informatykę. Otrzymał dyplom w dziedzinie psychologii eksperymentalnej UNY i studiów wizualnych i kulturowych Univer­sity of Rochester. Wykłada teorię mediów i estetykę. Obecnie pracuje na uniwersytecie kalifornijskim w San Diego. Autor książki The Language of New Media (MIT Press 2001).



Statistics

Abstract views: 30
PDF downloads: 15


License

Copyright (c) 2001 Lev Manovich

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.

In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.