The Reflection of Feminist Theories in Sweden’s Film Thought
Abstract
Kwiatkowski presents some trends in Sweden’s feminist film thought, among other things, on the basis of Tyttia Soila’s 1991 doctoral thesis The Face of a Woman. Kwiatkowski observes that not all women film directors support feminist theories, and that not every man-made film has to represent the patriarchal order”. He even asks whether this order is a myth. Without elaborating he makes a precise analysis of the plot of the masculine view on woman as a sexual object.
Keywords:
feminism, Tyttia Soila, male gazeReferences
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Authors
Aleksander Kwiatkowskikwartalnik.filmowy@ispan.pl
independent researcher Poland
Krytyk filmowy, publikuje w prasie szwedzkiej i polskiej. Wieloletni pracownik Szwedzkiego Instytutu Filmowego. Autor książek Swedish Film Classics (Stockholm 1983) i Film skandynawski (Warszawa 1986).
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Copyright (c) 2002 Aleksander Kwiatkowski
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