Epilogue – Places of Memory’s Play
Abstract
The article is a fragment of the book Ingmar Bergman: „Allting föreställer, ingenting är”. Filmen och teatern – en tvärsestetisk Studie appreciated in a special way by Bergman himself. Koskinen expertly explores the field of Bergman’s film, theatre and literary production. She studies plots, motifs, moods and production methods in the areas of Bergman’s artistic activity, stating that they converge in a particularly strong way in his work. Although the article concerns most of his late production, Koskinen cites Bergman’s whole artistic activity, pointing, among other things, to strong autobiographical motifs and the recurring motif a child.
- The text is a translation of a chapter from the book Ingmar Bergman: „Allting föreställer, ingenting är”. Filmen och teatern – en tvärsestetisk Studie by Maaret Koskinen, Nya Doxa, Stockholm 2001. © 2001 by Nya Doxa.
Keywords:
Ingmar Bergman, autobiographism, childReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Maaret Koskinenkwartalnik.filmowy@ispan.pl
Stockholm University Sweden
Docent w Instytucie Filmoznawstwa Uniwersytetu w Sztokholmie, krytyk filmowy „Dagens Nyheter”; opublikowała trzy książki o twórczości Ingmara Bergmana: Spel och speglingar. En Studie i Ingmar Bergmans filmiska estetik (1993), Ingmar Bergman: „Allting föreställer, ingenting är”. Filmen och teatern – en tvärsestetisk Studie (2001), I begynnelsen var ordet. Ingmar Bergman och hans tidigaförfattarskap (2002).
Statistics
Abstract views: 4PDF downloads: 1
License
Copyright (c) 2002 Maaret KoskinenThe author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
