Pedro Almodóvar’s “Bad Education”: Lost in Own Labyrinth
Joanna Bardzińska
kwartalnik.filmowy@ispan.plComplutense University of Madrid (Spain)
Eduardo R. Merchan
Complutense University of Madrid (Spain)
Abstract
Pedro Almodóvar’s Bad Education was a long awaited film, and already was shrouded in the aura of scandal before première. But it turned out that reality was different, more interesting and more complex. The authors of the article stress that Bad Education is an intimate statement of the film director, where on the one hand, Almodóvar demonstrates artistry in the labyrinth of meanings, quotes and repetitions, and, on the other hand, this attempt to define himself lacks authenticity and originality.
Keywords:
Pedro Almodóvar, Spanish cinema, scandalReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Joanna Bardzińskakwartalnik.filmowy@ispan.pl
Complutense University of Madrid Spain
Absolwentka UW Wydziału Neofilologii (Katedra Iberystyki). Stypendystka Unii Europejskiej Socrates Erasmus. Doktorantka na wydziale Nauk Informacyjnych Uniwersytetu Complutense w Madrycie (stypendium Hiszpańskiej Agencji Współpracy Międzynarodowej).
Authors
Eduardo R. MerchanComplutense University of Madrid Spain
Profesor Wydziału Audiowizualnego Uniwersytetu Complutense w Madrycie. Wykładowca teorii Obrazu, Historii Fotografii i Historii Kina Hiszpańskiego. Publikuje w czasopismach: „La Calle”, „Manhattan”, „Mayo”, „Cinerama”.
Statistics
Abstract views: 38PDF downloads: 12
License
Copyright (c) 2004 Joanna Bardzińska, Edouardo R. Merchan
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
